The Myth of Theory

William Righter

doi:10.1017/CBO9780511552847

What is critical theory, and to what extent can it claim to exist as a free-standing entity independent of the object of enquiry? Is the much-discussed gulf between Anglo-Saxon empiricism and Continental post-structuralism more apparent than real? In The Myth of Theory William Righter explores the nature of thinking about literature and the assumed polarities between the abstract reasonings of philosophy and the concrete exploratory manoeuvres of critical practice. He goes on to examine the role of theory in critical observation, through extended case studies of the work of critics including Barthes. Bloom, Poulet, Eliot, Empson, Kristeva and Derrida. His underlying argument is that criticism uses theory but is never effectively directed or controlled by it: the inherent radicalism built into critical practice fragments and transforms general concepts in the act of applying them.

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The Myth of Theory

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Contents

Frontmatter
pp i-vi

Contents
pp vii-vii

Dedication
pp viii-viii

Preface
pp ix-x

I - From chaos to case
pp 1-22

II - The bizarre territory
pp 23-43

III - The curve of the mirror
pp 44-67

IV - From ‘so complex an irony’ to ‘such a textual logic’
pp 68-85

V - From ‘wit’ to ‘astonishment’
pp 86-98

VI - ‘Fool’ and ‘pharmakon’
pp 99-121

VII - ‘The monstrous clarity’
pp 122-148

VIII - From ‘ensemble’ to ‘exception’
pp 149-169

IX - Pagan perspectives
pp 170-189

X - The Tao of criticism
pp 190-216

Notes
pp 217-221

Index
pp 222-224

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The Myth of Theory

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