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  3. Gender and Language in British Literary Criticism, 1660–1790
  • Cited by 25
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    • Publisher:
      Cambridge University Press
      Publication date:
      15 September 2009
      28 November 1997
      ISBN:
      9780511553530
      9780521570091
      9780521021456
      DOI:
      https://doi.org/10.1017/CBO9780511553530
      Dimensions:
      (228 x 152 mm)
      Weight & Pages:
      0.475kg, 244 Pages
      Dimensions:
      (228 x 152 mm)
      Weight & Pages:
      0.372kg, 244 Pages
      • Subjects:
      Literature, English Literature 1700-1830
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    Subjects:
    Literature, English Literature 1700-1830
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    Book description

    During the eighteenth century, British critics applied terms of gender to literature according to the belief that masculine values represented the best literature and feminine terms signified less important works or authors. Laura Runge contends however that the meaning of gendered terms like 'manly' or 'effeminate' changes over time, and that the language of eighteenth-century criticism cannot be fully understood without careful analysis of the gendered language of the era. She examines conventions in various fields of critical language - Dryden's prose, the early novel, criticism by women, and the developing aesthetic - to show how gendered epistemology shaped critical 'truths'. Her exploration of critical commonplaces, such as regarding the heroic and the sublime as masculine modes and the novel as a feminine genre, addresses issues central to eighteenth-century studies.

    Reviews

    ‘Runge’s study is informative and accomplished and will serve a wide range of interests.’

    Source: The Times Literary Supplement

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