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    • Publisher:
      Cambridge University Press
      Publication date:
      02 July 2009
      09 April 2009
      ISBN:
      9780511576492
      9780521516686
      9781107559264
      Dimensions:
      (228 x 152 mm)
      Weight & Pages:
      0.54kg, 274 Pages
      Dimensions:
      (229 x 152 mm)
      Weight & Pages:
      0.4kg, 274 Pages
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    Book description

    In this book Robert R. Clewis shows how certain crucial concepts in Kant's aesthetics and practical philosophy - the sublime, enthusiasm, freedom, empirical and intellectual interests, the idea of a republic - fit together and deepen our understanding of Kant's philosophy. He examines the ways in which different kinds of sublimity reveal freedom and indirectly contribute to morality, and discusses how Kant's account of natural sublimity suggests that we have an indirect duty with regard to nature. Unlike many other studies of these themes, this book examines both the pre-critical Observations and the remarks that Kant wrote in his copy of the Observations. Finally, Clewis takes seriously Kant's claim that enthusiasm is aesthetically sublime, and shows how this clarifies Kant's views of the French Revolution. His book will appeal to all who are interested in Kant's philosophy.

    Reviews

    'This is a comprehensive and insightful treatment of the Kantian sublime. It convincingly links Kant’s aesthetic discussions of the sublime to both his moral philosophy and his political perspective. Toward that end Clewis emphasizes the role of enthusiasm in the sublime and provides exceedingly nuanced analyses of the various senses of disinterestedness and interest that help to elucidate how the aesthetic can have moral import.'

    Rudolf A. Makkreel - Emory University, Atlanta

    'In this learned, acute, and lucid book, Robert R. Clewis supplements recent discussion of connections between Kant's aesthetics and his ethics with a demonstration of the tie between his aesthetics and his politics, convincingly establishing a relation between Kant's concepts of the sublime and of enthusiasm as a positive political force. Along the way, he also throws new light on Kant's views about freedom, interest and disinterestedness, respect, and republicanism, and illuminates Kant's attitude toward the French Revolution. This is a must read for all students of Kant's aesthetics, moral philosophy, and political philosophy.'

    Paul Guyer - University of Pennsylvania

    '… there has been only a handful of sustained scholarly works on the sublime in Kant. Clewis’s book, which emphasizes the connection between the sublime and enthusiasm in Kant’s writings, tracing Kant’s thoughts on these topics back to his early work, is a very welcome addition to Kant scholarship. … provides a rich and detailed analysis of Kant’s concepts of the sublime, of enthusiasm as well as the moral feeling of respect, showing their differences and interconnections. … I learned a lot from reading this book and benefited from thinking about the issues involved …'

    Melissa Zinkin Source: TPR Critique

    'Robert R. Clewis’s book The Kantian Sublime and the Revelation of Freedom is a rich and thoughtful examination of Kant’s concept of the sublime, of the interface between Kant’s aesthetics and his practical philosophy, and of Kant’s attitude toward moral enthusiasm, which he effectively argues …'

    Paul Guyer Source: TPR Critique

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    Contents

    Bibliography
    Kant's Works
    German Editions
    Bemerkungen in den “Beobachtungen über das Gefühl des Schönen und Erhabenen,” ed. Rischmüller, Marie. Hamburg: Felix Meiner Verlag, 1991
    Immanuel Kants sämtliche Werke, vols. i–viii, ed. Hartenstein, G.. Leipzig: Leopold Voss, 1867–8
    Kants gesammelte Schriften (KGS), ed. the Deutsche, (formerly Königlich Preuβische) Akademie der Wissenschaften, 29 vols. Berlin: Walter de Gruyter, 1902
    Reflexionen Kants zur kritischen Philosophie, ed. Erdmann, Benno. Leipzig: Fues Verlag (R. Reisland) 1882
    English-language Translations
    Anthropology from a Pragmatic Point of View, trans. Lyle Dowdell, Victor. Carbondale: Southern Illinois University Press, 1978
    The Conflict of the Faculties, trans. Gregor, Mary and Anchor, Robert, in Religion and Rational Theology. Cambridge University Press, 1996
    Critique of Judgment, trans. Bernard, J. H.. New York: Barnes & Noble, 2005
    The Critique of Judgment, trans. Creed Meredith, James. Oxford: Clarendon Press, 1952
    Critique of Judgment, trans. Pluhar, Werner S.. Indianapolis: Hackett, 1987
    Critique of the Power of Judgment, trans. Guyer, Paul and Matthews, Eric. Cambridge University Press, 2000
    Critique of Practical Reason, trans. Gregor, Mary, in Practical Philosophy. Cambridge University Press, 1999
    Critique of Pure Reason, trans. Guyer, Paul and Wood, Allen. Cambridge University Press, 1997
    Groundwork of the Metaphysics of Morals, trans. Gregor, Mary, in Practical Philosophy. Cambridge University Press, 1996
    Idea for a Universal History with a Cosmopolitan Intent, trans. Humphrey, Ted, in Perpetual Peace and Other Essays
    Inquiry concerning the Distinctness of the Principles of Natural Theology and Morality, trans. Meerbote, Ralf. Cambridge University Press, 1992
    Lectures on Ethics, trans. Heath, P.. Cambridge University Press, 1997
    Lectures on Logic, trans. Young, J. M.. Cambridge University Press, 1992
    Lectures on Metaphysics, ed. and trans. Ameriks, Karl and Naragon, Steven. Cambridge University Press, 1997
    The Metaphysics of Morals, trans. Gregor, Mary, in Practical Philosophy. Cambridge University Press, 1999
    Notes and Fragments, ed. Guyer, Paul, trans. Bowman, Curtis, Guyer, Paul, and Rauscher, Frederick. Cambridge University Press, 2005
    Observations on the Feeling of the Beautiful and the Sublime, trans. Goldthwait, John. Berkeley: University of California Press, 1960
    On the Common Saying: That May Be Correct in Theory, But It Is of No Use in Practice, trans. Gregor, Mary, in Practical Philosophy. Cambridge University Press, 1996
    Perpetual Peace and Other Essays, trans. Humphrey, Ted. Indianapolis: Hackett, 1983
    Political Writings, ed. Reiss, Hans, trans. Nisbet, H. B.. Cambridge University Press, 1990
    Raising the Tone of Philosophy: Late Essays by Immanuel Kant, Transformative Critique by Jacques Derrida, ed. Fenves, Peter. Baltimore: Johns Hopkins University Press, 1993
    Religion within the Boundaries of Mere Reason, trans. di Giovanni, George, in Religion and Rational Theology. Cambridge University Press, 1996
    Toward Perpetual Peace: A Philosophical Project, trans. Gregor, Mary, in Practical Philosophy. Cambridge University Press, 1996
    Non-English language translations
    Annotazioni alle osservazioni sul sentimento del bello e del sublime, trans. Teresa Catena, Maria. Naples: Guida, 2002
    Bemerkungen: Note per un diario filosofico, trans. Tenenbaum, Katrin. Rome: Meltemi, 2001
    Remarques touchant les Observations sur le sentiment du beau et du sublime, trans. Geonget, Brigitte. Paris: Jacques Vrin, 1994
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    Addison, Henry. Idealism and Freedom. Cambridge University Press, 1996
    Addison, Henry. Kant's Theory of Freedom. Cambridge University Press, 1990
    Addison, Henry. Kant's Theory of Taste. Cambridge University Press, 2001
    Addison, Henry. Kant's Transcendental Idealism, 2nd edn. New Haven and London: Yale University Press, 2004
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    Ameriks, Karl. Interpreting Kant's “Critiques.”Oxford University Press, 2003
    Anderson-Gold, Sharon. Unnecessary Evil: History and Moral Progress in the Philosophy of Immanuel Kant. Albany: State University of New York Press, 2001
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    Arensberg, Mary, ed. The American Sublime. Albany, NY: State University of New York Press, 1986
    Armstrong, Meg. “ ‘The Effects of Blackness’: Gender, Race, and the Sublime in Aesthetic Theories of Burke and Kant.” Journal of Aesthetics and Art Criticism, 54(3) (Summer, 1996): 213–36
    Ashfield, Andrew, and Bolla, Peter (eds.). The Sublime: A Reader in British Eighteenth-Century Aesthetic Theory. Cambridge University Press, 1996
    Augustine, . Confessions, trans. Pine-Coffin, R. S.. London: Penguin, 1961
    Auxter, Thomas. Kant's Moral Teleology. Macon: Mercer University Press, 1982
    Baeumler, Alfred. Das Irrationalitätsproblem in der Aesthetik und Logik des 18. Jahrhunderts bis zur Kritik der Urteilskraft. Darmstadt: Wissenschaftliche Buchgesellschaft, 1981
    Basch, Victor. Essai critique sur L'esthétique de Kant. Paris: F. Alcan, 1896, pp. xxv–xxvi
    Beck, Lewis White. A Commentary on Kant's “Critique of Practical Reason.”University of Chicago Press, 1960
    Beck, Lewis White. “Kant and the Right of Revolution,” in Selected Essays on Kant. University of Rochester Press, 2002
    Beiner, Ronald. “Kant, the Sublime, and Nature,” in Kant and Political Philosophy: The Contemporary Legacy, ed. Beiner, Ronald and James Booth, William. New Haven: Yale University Press, 1993
    Beiser, Frederick. Enlightenment, Revolution, and Romanticism. Cambridge, MA: Harvard University Press, 1992
    Beiser, Frederick. “Kant's Intellectual Development: 1746–1781,” in The Cambridge Companion to Kant, ed. Guyer, Paul. Cambridge University Press, 1992, pp. 26–61
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    Bennent, Heidemarie. Galanterie und Verachtung. Frankfurt and New York: Campus Verlag, 1985
    Berleant, Arnold, and Hepburn, Ronald. “An Exchange on Disinterestedness.” Contemporary Aesthetics, 1 (2003). www.contempaesthetics.org
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    Billouet, Pierre. “Enthusiasm and Modernity.” Les Temps Modernes 50(584), (September–October 1995): 151–85
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    Budd, Malcolm. The Aesthetic Appreciation of Nature: Essays on the Aesthetics of Nature. Oxford: Clarendon Press, 2002
    Budd, Malcolm. “Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature. Part I: Natural Beauty.” British Journal of Aesthetics, 38 (1) (1998): 1–18
    Budd, Malcolm. “Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature.Part II: Natural Beauty and Morality.” British Journal of Aesthetics 38 (2) 1998: 117–26
    Budd, Malcolm. “Delight in the Natural World: Kant on the Aesthetic Appreciation of Nature. Part III: The Sublime in Nature.” British Journal of Aesthetics, 38 (3) (1998): 233–50
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