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  3. The Politics of Performance in Early Renaissance Drama
  • Cited by 35
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    • Publisher:
      Cambridge University Press
      Publication date:
      23 October 2009
      10 September 1998
      ISBN:
      9780511583155
      9780521563314
      9780521029919
      DOI:
      https://doi.org/10.1017/CBO9780511583155
      Dimensions:
      (228 x 152 mm)
      Weight & Pages:
      0.495kg, 260 Pages
      Dimensions:
      (228 x 152 mm)
      Weight & Pages:
      0.394kg, 260 Pages
      • Subjects:
      Literature, Renaissance and Early Modern Literature
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    Subjects:
    Literature, Renaissance and Early Modern Literature
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    Book description

    Greg Walker provides a new account of the relationship between politics and drama in the turbulent period from the accession of Henry VIII to the reign of Elizabeth I. Building upon ideas first developed in Plays of Persuasion (1991), he focuses on political drama in both England and Scotland, exploring the complex relationships between politics, court culture and dramatic composition, performance and publication. Through a detailed analysis of one central dramatic form, the interlude or great hall play, and close study of key texts, Walker examines drama produced and adapted for varying conditions of performance: indoor and outdoor, private and public. He examines what happened when the play script was printed and sold commercially as a literary commodity. This interdisciplinary analysis will find a market among Tudor historians as well as students of medieval and Renaissance drama.

    Reviews

    ‘Walker’s book painstakingly reconstructs the circumstances of performance of a number of Tudor plays (by Heywood, Lindsay, and Udall) and concludes with a detailed account of the marital politics of Gorboduc, the first five-act verse tragedy in English … [his] readings are compelling and subtle.’

    Source: The Times Literary Supplement

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