Mendelssohn: The Hebrides and Other Overtures

R. Larry Todd

doi:10.1017/CBO9780511597299

The concert overtures A Midsummer Night's Dream, Calm Sea and Prosperous Voyage, and The Hebrides (Fingal's Cave), conceived by Mendelssohn before the age of twenty, have ranked amongst the most enduring of the nineteenth-century orchestral repertoire. R. Larry Todd offers a historical, stylistic, and analytical guide to these three remarkable works which secured for Mendelssohn no small measure of his fame. After placing the overtures in the context of Mendelssohn's astonishing compositional development during the 1820s, the volume disentangles the complex history of their creation and considers in turn their style and formal structure, their contents as programme music, aspects of their orchestration and their reception and influence. All this is supported by a wealth of primary documents, including Mendelssohn's correspondence, memoirs of his friends, and nineteenth-century critical reviews.

'R. Larry Todd's slim volume about Mendelssohn's overtures is packed through with fascinating detail …'

Source: Newsletter, Ipswich Arts Association

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Mendelssohn: The Hebrides and Other Overtures

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Contents

Frontmatter
pp i-iv

Contents
pp v-vi

Preface
pp vii-viii

1 - Background
pp 1-10

2 - Genesis
pp 11-37

3 - Musical influences
pp 38-51

4 - Formal considerations: a synoptic overview
pp 52-68

5 - The overtures as programmatic music
pp 69-83

6 - Some thoughts on Mendelssohn's orchestration
pp 84-88

7 - Influence and reception of the overtures
pp 89-104

Notes
pp 105-113

Select bibliography
pp 114-116

Index
pp 117-121

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Mendelssohn: The Hebrides and Other Overtures

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