Ozu's <I>Tokyo Story</I>

doi:10.1017/CBO9780511624360

Ozu's Tokyo Story is generally regarded as one of the finest films ever made. Universal in its appeal, it is also considered to be 'particularly Japanese'. Exploring its universality and cultural specificity, this collection of specially commissioned essays demonstrates the multiple planes on which the film may be appreciated. The introduction outlines Ozu's career as both a contract director of a major studio and as a singular figure in Japanese film history, and also analyses the director's cinematic style, particularly his narrative strategies and spatial compositions. Other essays situate Ozu's cinema in its relationship to Hollywood film-making: his relationship to aspects of Japanese tradition, situating the film within artistic modes, religious systems and beliefs, and socio-cultural and familial formations. Also included is an analysis of how Ozu has been misunderstood in Western criticism.

‘ … a text so varied that will surely find its way into many university classes.’

Source: Monumenta Nipponica

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Ozu's Tokyo Story

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Contents

Frontmatter
pp i-vi

Contents
pp vii-viii

List of Contributors
pp ix-xiv

Introduction: A Filmmaker for All Seasons
pp 1-24

1 - Ozu's Tokyo Story and the “Recasting” of McCarey's Make Way for Tomorrow
pp 25-52

2 - Travel Toward and Away: Furusato and Journey in Tokyo Story
pp 53-75

3 - Ozu's Mother
pp 76-100

4 - Buddhism in Tokyo Story
pp 101-117

5 - Sunny Skies
pp 118-130

Filmography
pp 131-144

Reviews of “Tokyo Story”
pp 145-168

Select Bibliography
pp 169-170

Index
pp 171-173

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Ozu's Tokyo Story

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