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  3. Melancholy, Medicine and Religion in Early Modern England
  • Cited by 32
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    • Publisher:
      Cambridge University Press
      Publication date:
      23 February 2010
      07 January 2010
      ISBN:
      9780511674624
      9780521190503
      9781107659964
      DOI:
      https://doi.org/10.1017/CBO9780511674624
      Dimensions:
      (228 x 152 mm)
      Weight & Pages:
      0.49kg, 236 Pages
      Dimensions:
      (229 x 152 mm)
      Weight & Pages:
      0.35kg, 236 Pages
      • Subjects:
      Literature, Renaissance and Early Modern Literature, History, History of Medicine
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    Subjects:
    Literature, Renaissance and Early Modern Literature, History, History of Medicine
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    Book description

    The Anatomy of Melancholy, first published in 1621, is one of the greatest works of early modern English prose writing, yet it has received little substantial literary criticism in recent years. This study situates Robert Burton's complex work within three related contexts: religious, medical and literary/rhetorical. Analysing Burton's claim that his text should have curative effects on his melancholic readership, it examines the authorial construction of the reading process in the context of other early modern writing, both canonical and non-canonical, providing a new approach towards the emerging field of the history of reading. Lund responds to Burton's assertion that melancholy is an affliction of body and soul which requires both a spiritual and a corporal cure, exploring the theological complexion of Burton's writing in relation to English religious discourse of the early seventeenth century, and the status of his work as a medical text.

    Reviews

    'There is much illuminating discussion here. Building on previous scholarship which has situated Burton’s account of despair in the context of Jacobean and Caroline religious politics, Lund makes a good case for the influence of the Danish Lutheran Niels Hemmingsen, and draws interesting comparisons with less well-known contemporary English figures such as Robert Bolton and Robert Yarrow … [the book] develops and persuasively reorientates a significant strand of Burton criticism, and presents a nuanced vision of the relationship between early modern writers and their imagined readers.'

    Source: English Historical Review

    '… clear and forthrightly argued …'

    Source: Modern Philology

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