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  • Publisher:
    Cambridge University Press
    Publication date:
    05 June 2012
    20 May 2010
    ISBN:
    9780511780585
    9780521856249
    9780521672245
    Dimensions:
    (228 x 152 mm)
    Weight & Pages:
    0.67kg, 344 Pages
    Dimensions:
    (228 x 152 mm)
    Weight & Pages:
    0.54kg, 344 Pages
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    Book description

    Victorian poetry was read and enjoyed by a much larger audience than is sometimes thought. Publication in widely-circulating periodicals, reprinting in book reviews, and excerpting in novels and essays ensured that major poets such as Tennyson, Browning, Hardy and Rossetti were household names, and they remain popular today. The Cambridge Introduction to Victorian Poetry provides an accessible overview of British poetry from 1830 to 1901, paying particular attention to its role in mass media print culture. Designed to interest both students and scholars, the book traces lively dialogues between poets and explains poets' choices of form, style and language. It also demonstrates poetry's relevance to Victorian debates on science, social justice, religion, imperialism, and art. Featuring a glossary of literary terms, a guide to further reading, and two examples of close readings of Victorian poems, this introduction is the ideal starting-point for the study of verse in the nineteenth century.

    Reviews

    'Hughes' grasp, clarity and intellectual brio is enviable … [there is] splendid reach, penetration and understanding on display in this first-rate new study, which may be recommended to anyone with an interest in the cultural, aesthetic and social implications of Victorian poetry.'

    Source: Tennyson Research Bulletin

    'By far the most important recent general study of Victorian poetry …'

    Source: SEL: Studies in English Literature

    'The Cambridge Introduction to Victorian Poetry is comprehensive without sacrificing clarity, depth or readability. Hughes invaluably helps her readers face the new challenges of teaching and studying Victorian poetry in the twenty-first century.'

    Source: Victorian Review

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    Contents

    Editions cited
    Further reading
    Anthologies
    Armstrong, I. and Bristow, J.Nineteenth-Century Women Poets, Oxford: Clarendon Press, 1996
    Boos, F.Working-Class Women Poets in Victorian Britain, Peterborough, ON: Broadview Press, 2008
    Collins, T. and Rundle, V.The Broadview Anthology of Victorian Poetry and Poetic Theory, Peterborough, ON: Broadview Press, 1999
    Cunningham, V.The Victorians: An Anthology of Poetry and Poetics, Oxford: Blackwell Publishers, 2000
    Karlin, D.The Penguin Book of Victorian Verse, Harmondsworth: Penguin Books, 1997
    Leighton, A. and Reynolds, M.Victorian Women Poets, Oxford: Blackwell Publishers, 1995
    Maidment, B.The Poorhouse Fugitives: Self-Taught Poets and Poetry in Victorian Britain, Manchester: Carcanet, 1987
    O'Gorman, F.Victorian Poetry: An Annotated Anthology, Oxford: Blackwell Publishers, 2004
    Ricks, C.The New Oxford Book of Victorian Verse, Oxford: Oxford University Press, 1987
    General studies and surveys
    Armstrong, I.Victorian Poetry: Poetry, Poetics and Politics, London: Routledge, 1993
    Armstrong, I. and Blain, V., eds. Women's Poetry, Late Romantic to Late Victorian: Gender and Genre, 1830–1900, New York: St. Martin's Press, 1999
    Bevis, M.The Art of Eloquence, Oxford: Oxford University Press, 2007
    Bristow, J., ed. The Cambridge Companion to Victorian Poetry, Cambridge: Cambridge University Press, 2000
    Chapman, A., ed. Victorian Women Poets, Cambridge: D. S. Brewer, 2003
    Christ, C.Victorian and Modernist Poetics, Chicago: University of Chicago Press, 1984
    Cronin, R., Chapman, A., and Harrison, A., eds. A Companion to Victorian Poetry, Oxford: Blackwell, 2002
    Douglas-Fairhurst, R.Victorian Afterlives: The Shaping of Influence in Nineteenth-Century Literature, Oxford: Oxford University Press, 2002
    Griffiths, E.The Printed Voice of Victorian Poetry, Oxford: Clarendon Press, 1989
    Harrison, A.Victorian Poets and Romantic Poems: Intertextuality and Ideology, Charlottesville: University Press of Virginia, 1990
    Hughes, L. K., ed. “Whither Victorian Poetry?” Victorian Poetry, special issues, 41 (2003), 459–645; 42 (2004), 1–109
    Leighton, A.Victorian Women Poets: Writing against the Heart, Charlottesville: University Press of Virginia, 1992
    Reynolds, M.The Realms of Verse 1830–1870: English Poetry in a Time of Nation-Building, Oxford: Oxford University Press, 2001
    Shaw, W. D.The Lucid Veil: Poetic Truth in the Victorian Age, London: Athlone Press, 1987
    Slinn, E. W.Victorian Poetry as Cultural Critique, Charlottesville: University of Virginia Press, 2003
    Poetic form
    General
    Campbell, M.Rhythm and Will in Victorian Poetry, Cambridge: Cambridge University Press, 1999
    Tucker, H.The Fix of Form: An Open Letter,” Victorian Literature and Culture, 27 (1999), 531–5
    Tucker, H.Of Monuments and Moments: Spacetime in Nineteenth-Century Poetry,” Modern Language Quarterly, 58 (1997), 269–97
    Dramatic monologue
    Faas, E.Retreat into the Mind: Victorian Poetry and the Rise of Psychiatry, Princeton: Princeton University Press, 1988
    Langbaum, R.The Poetry of Experience: The Dramatic Monologue in Modern Literary Tradition, New York: Random House, 1957
    Mermin, D.The Audience in the Poem: Five Victorian Poets, New Brunswick, NJ: Rutgers University Press, 1983
    Shires, L., ed. “The Dramatic ‘I’ Poem,” Victorian Poetry, special issue, 22 (1984), 97–226
    Sinfield, A.Dramatic Monologue, London: Methuen, 1977
    Victorian poetry and classical tradition
    Bush, D.Mythology and the Romantic Tradition in English Poetry, New York: Pageant Book Company, 1957
    Dentith, S.Epic and Empire in Nineteenth-Century Britain, Cambridge: Cambridge University Press, 2006
    Hurst, I.Victorian Women Writers and the Classics: The Feminine of Homer, Oxford: Oxford University Press, 2006
    Jenkyns, R.The Victorians and Ancient Greece, Cambridge, MA: Harvard University Press, 1980
    Markley, A.Stateliest Measures: Tennyson and the Literature of Greece and Rome, Toronto: University of Toronto Press, 2004
    Maxwell, C.The Female Sublime from Milton to Swinburne, Manchester: Manchester University Press, 2001
    Prins, Y.Victorian Sappho, Princeton: Princeton University Press, 1999
    Tucker, H.Epic: Britain's Heroic Muse 1790–1910, Oxford: Oxford University Press, 2008
    Turner, F.The Greek Heritage in Victorian Britain, New Haven: Yale University Press, 1981
    Modern forms and tradition
    Bold, A.The Ballad, London: Methuen, 1979
    Friedman, A.The Ballad Revival: Studies in the Influence of Popular on Sophisticated Poetry, Chicago: University of Chicago Press, 1961
    Janowitz, A.Lyric and Labour in the Romantic Tradition, Cambridge: Cambridge University Press, 1998
    Holmes, J.Dante Gabriel Rossetti and the Late Victorian Sonnet Sequence: Sexuality, Belief and the Self, Aldershot: Ashgate, 2005
    Lootens, T.Lost Saints: Silence, Gender, and Victorian Literary Canonization, Charlottesville: University Press of Virginia, 1996
    Mermin, D. “The Damsel, the Knight, and the Victorian Woman Poet (1986),” in Victorian Women Poets: A Critical Reader, ed. Leighton, Angela, Oxford: Blackwell, 1996, 198–214
    Phelan, J.The Nineteenth-Century Sonnet, Basingstoke: Palgrave Macmillan, 2005
    Print culture
    Altick, R.The English Common Reader: A Social History of the Mass Reading Public, 1800–1900, 2nd edn., Columbus: Ohio State University Press, 1998
    Armstrong, I.Victorian Scrutinies: Reviews of Poetry, 1830–1870, London: Athlone Press, 1972
    Brake, L.Print in Transition, 1850–1910: Studies in Media and Book History, Basingstoke: Palgrave, 2001
    Brake, L.Subjugated Knowledges: Journalism, Gender and Literature in the Nineteenth Century, New York: New York University Press, 1994
    Demoor, M.Their Fair Share: Women, Power, and Criticism in the Athenaeum, from Millicent Garrett Fawcett to Katherine Mansfield, 1870–1920, Aldershot: Ashgate, 2000
    Easley, A.Tait's Edinburgh Magazine in the 1830s: Dialogues on Gender, Class, and Reform,” Victorian Periodicals Review, 38 (2005), 263–79
    Erickson, L.The Economy of Literary Form: English Literature and the Industrialization of Publishing, 1800–1850, Baltimore: Johns Hopkins University Press, 1996
    Fraser, H., Green, S., and Johnston, J., Gender and the Victorian Periodical, Cambridge: Cambridge University Press, 2003
    Hughes, L. K. “What the Wellesley Index Left Out: Why Poetry Matters to Periodicals,” Victorian Periodicals Review, 40.2 (Summer, 2007), 91–125
    LaPorte, C. and Rudy, J. R., eds. “Spasmodic Poetry and Poetics,” Victorian Poetry, special issue, 42.4 (Winter, 2004), 421–583
    Ledbetter, K.Tennyson and Victorian Periodicals: Commodities in Context, Aldershot: Ashgate, 2007
    Roberts, A.Romantic and Victorian Long Poems: A Guide, Aldershot: Ashgate, 1999
    Robson, C.Standing on the Burning Deck: Poetry, Performance, History,” PMLA, 120 (2005), 148–62
    St. Clair, W.The Reading Nation in the Romantic Period, Cambridge: Cambridge University Press, 2004
    Poetry, science, technology
    Dawson, G., ed. “Science and Poetry,” Victorian Poetry, special issue, 41.1 (Spring, 2003), 1–172
    Peterfreund, S.Robert Browning's Decoding of Natural Theology in ‘Caliban upon Setebos,’” Victorian Poetry, 43 (2005), 317–31
    Rudy, J.Electric Meters: Victorian Physiological Poetics, Athens: Ohio University Press, 2009
    Poetry and religion
    Blair, K., ed. John Keble in Context, London: Anthem, 2004
    Blair, K. and Mason, E., eds. “Tractarian Poets,” Victorian Poetry, special issue, 44.1 (Spring, 2006), 1–116
    Knight, M., and Mason, E.Nineteenth-Century Religion and Literature: An Introduction, Oxford: Oxford University Press, 2006
    Melnyk, J.Victorian Religion: Faith and Life in Britain, Westport, CT: Praeger, 2008
    Melnyk, J., ed. Women's Theology in Nineteenth-Century Britain: Transfiguring the Faith of Their Fathers, New York: Garland, 1998
    Nixon, J., ed. Victorian Religious Discourse: New Directions in Criticism, Basingstoke: Palgrave Macmillan, 2004
    Tamke, S.Make a Joyful Noise unto the Lord: Hymns as a Reflection of Victorian Social Attitudes, Athens: Ohio University Press, 1978
    Tennyson, G. B.Victorian Devotional Poetry: The Tractarian Mode, Cambridge, MA: Harvard University Press, 1981
    Wheeler, M.Death and the Future Life in Victorian Literature and Theology, Cambridge: Cambridge University Press, 1990
    Poetry and the heart's affections
    Ball, P.The Heart's Events: The Victorian Poetry of Relationships, London: Athlone Press, 1976
    Blair, K.Victorian Poetry and the Culture of the Heart, Oxford: Clarendon Press, 2006
    Cronin, R.Romantic Victorians: English Literature, 1824–1840, Basingstoke: Palgrave, 2002
    Edmond, R.Affairs of the Hearth: Victorian Poetry and Domestic Narrative, London: Routledge, 1988
    McSweeney, K.Supreme Attachments: Studies in Victorian Love Poetry, Aldershot: Ashgate, 1998
    Poetry and empire
    Bevis, M. “Fighting Talk: Victorian War Poetry,” in The Oxford Handbook of British and Irish War Poetry, ed. Kendall, Tim, Oxford: Oxford University Press, 2007, 7–33
    Brantlinger, P.Rule of Darkness: British Literature and Imperialism, 1830–1914, Ithaca, NY: Cornell University Press, 1988
    Graham, C.Ideologies of Epic: Nation, Empire, and Victorian Epic Poetry, Manchester: Manchester University Press, 1998
    Kiernan, V. “Tennyson, King Arthur, and Imperialism,” in Culture, Ideology, and Politics: Essays for Eric Hobsbawm, ed. Samuel, Raphael and Jones, Gareth Stedman, London: Routledge, 1982, 126–48
    King, K. R. and Morgan, W.. “Hardy and the Boer War: The Public Poet in Spite of Himself,” Victorian Poetry, 17 (1979), 66–83
    Parry, A.The Poetry of Rudyard Kipling: Rousing the Nation, Buckingham: Open University Press, 1992
    Smith, M. Van Wyck. Drummer Hodge: The Poetry of the Anglo-Boer War (1899–1902), Oxford: Oxford University Press, 1978
    Poetic liberties
    Boos, F. “‘Nurs'd Up amongst the Scenes I have Describ'd’: Political Resonances in the Poetry of Working-Class Women,” in Functions of Victorian Culture at the Present Time, ed. Krueger, C. L., Athens: Ohio University Press, 2002, 137–56
    Boos, F., ed. “The Poetics of the Working Classes,” Victorian Poetry, special issue, 39.2 (Summer, 2001), 103–389
    Brown, S.Economical Representations: Dante Gabriel Rossetti's ‘Jenny,’ Augusta Webster's ‘A Castaway,’ and the Campaign against the Contagious Diseases Acts,” Victorian Review, 17 (1991), 78–95
    Finn, M. C.After Chartism: Class and Nation in English Radical Politics 1848–1874, Cambridge: Cambridge University Press, 1993
    Joyce, P.Visions of the People: Industrial England and the Question of Class 1848–1914, Cambridge: Cambridge University Press, 1991
    Thain, M. and Vadillo, A. I. P., eds. “Fin de Siècle Literary Culture and Women Poets,” Victorian Literature and Culture, special issue, 34.2 (September, 2006), 389–684
    Weiner, S. K.Republican Politics and English Poetry, 1789–1874, Basingstoke: Palgrave Macmillan, 2005
    Art for art's sake
    Bristow, J., ed. The Fin-de-siècle Poem: English Literary Culture and the 1890s, Athens: Ohio University Press, 2005
    Denisoff, D.Aestheticism and Sexual Parody, 1840–1940, Cambridge: Cambridge University Press, 2001
    Freedman, J.Professions of Taste: Henry James, British Aestheticism, and Commodity Culture, Palo Alto, CA: Stanford University Press, 1990
    Gray, E.The Poetry of Indifference: From the Romantics to the Rubáiyát, Amherst: University of Massachusetts Press, 2005
    Leighton, A.On Form: Poetry, Aestheticism, and the Legacy of a Word, Oxford: Oxford University Press, 2007
    Marshall, G., ed. The Cambridge Companion to the Fin-de-siècle, Cambridge University Press, 2007
    Nelson, J. G.The Early Nineties: A View from the Bodley Head, Cambridge, MA: Harvard University Press, 1971
    Nelson, J. G.Publisher to the Decadents: Leonard Smithers in the Careers of Beardsley, Wilde, Dowson, University Park: Pennsylvania University Press, 2000
    Stetz, M., and Lasner, M. S.England in the 1890s: Literary Publishing at the Bodley Head, Washington, D.C., Georgetown University Press, 1990
    Thain, M. “Modernist Homage to the Fin de siècle,” Yearbook of English Studies, 37.1 (January, 2007), 22–40
    Aurora Leigh
    Brown, S.Paradise Lost and Aurora Leigh,” SEL: Studies in English Literature, 37 (1997), 723–40
    Laird, H. “Aurora Leigh: An Epical Ars poetica,” in Critical Essays on Elizabeth Barrett Browning, ed. Donaldson, S., New York: G. K. Hall, 1999, 275–90
    Mermin, D.Elizabeth Barrett Browning: The Origins of a New Poetry, Chicago: University of Chicago Press, 1989
    Reynolds, M., Introduction, in Aurora Leigh, ed. Reynolds, M., Athens: Ohio University Press, 1992, 1–77
    Thomas Hardy
    Langbaum, R.Browning and Hardy,” Studies in Browning and His Circle, 17 (1989), 15–22
    Mallett, P., ed. Palgrave Advances in Thomas Hardy Studies, Basingstoke: Palgrave Macmillan, 2004
    Taylor, D.Hardy's Metres and Victorian Prosody, Oxford: Clarendon Press, 1988
    Taylor, D.Hardy's Poetry, 1860–1928, New York: Columbia University Press, 1981
    Taylor, D.Thomas Hardy and Thomas Gray: The Poet's Currency,” ELH: English Literary History, 65.2 (1998), 451–77
    Ernest Dowson
    Snodgrass, C.Aesthetic Memory's Cul-de-Sac: The Art of Ernest Dowson,” English Literature in Transition, 1880–1920, 35.1 (1992), 26–53
    Weiner, S. K.Sight and Sound in the Poetic World of Ernest Dowson,” Nineteenth-Century Literature, 60.4 (March, 2006), 481–509

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