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  3. Music in European Thought 1851–1912
  • Cited by 26
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    • Publisher:
      Cambridge University Press
      Publication date:
      05 February 2012
      28 April 1988
      ISBN:
      9780511896965
      9780521089517
      DOI:
      https://doi.org/10.1017/CBO9780511896965
      Dimensions:
      Weight & Pages:
      Dimensions:
      (229 x 152 mm)
      Weight & Pages:
      0.64kg, 436 Pages
      • Series:
      Cambridge Readings in the Literature of Music
      Subjects:
      Philosophy: General Interest, Music, Philosophy, Music: General Interest
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    Series:
    Cambridge Readings in the Literature of Music
    Subjects:
    Philosophy: General Interest, Music, Philosophy, Music: General Interest
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    Book description

    This volume, in the series Cambridge Readings in the Literature of Music, is an anthology of original German, French and English writings from the period 1851–1912. Throughout the second half of the nineteenth century music continued to be a subject to which philosophers, psychologists, scientists and critics repeatedly addressed themselves. Some of the philosophical approaches followed the tradition of the German speculative philosophy of the late eighteenth and early nineteenth centuries. Elsewhere the new 'scientific' climate of the nineteenth century left its mark on the work of scientists and psychologists interested in the impact of acoustical stimuli on the human mind or in the role of music and song in the prehistory of mankind.

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