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    • Publisher:
      Cambridge University Press
      Publication date:
      07 September 2011
      08 September 2011
      ISBN:
      9780511996344
      9781107008397
      9781107422469
      Dimensions:
      (228 x 152 mm)
      Weight & Pages:
      0.57kg, 296 Pages
      Dimensions:
      (229 x 152 mm)
      Weight & Pages:
      0.4kg, 296 Pages
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    Book description

    Eighteenth-century fiction holds an unusual place in the history of modern print culture. The novel gained prominence largely because of advances in publishing, but, as a popular genre, it also helped shape those very developments. Authors in the period manipulated the appearance of the page and print technology more deliberately than has been supposed, prompting new forms of reception among readers. Christopher Flint's book explores works by both obscure 'scribblers' and canonical figures, such as Swift, Haywood, Defoe, Richardson, Sterne and Austen, that interrogated the complex interactions between the book's material aspects and its producers and consumers. Flint links historical shifts in how authors addressed their profession to how books were manufactured and how readers consumed texts. He argues that writers exploited typographic media to augment other crucial developments in prose fiction, from formal realism and free indirect discourse to accounts of how 'the novel' defined itself as a genre.

    Reviews

    'The Appearance of Print in Eighteenth Century Fiction … offers a rich account of Richardson's typographical practices, linking these to Sterne and Mackenzie: this situation of Richardson within such a tradition is one aspect of the study, but a welcome one.'

    Source: The Eighteenth Century

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    Contents

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