Skip to main content Accessibility help
×
Hostname: page-component-cb9f654ff-c75p9 Total loading time: 0 Render date: 2025-08-05T11:07:36.401Z Has data issue: false hasContentIssue false

Acknowledgments

Published online by Cambridge University Press:  07 March 2024

Omar F. Miranda
Affiliation:
University of San Francisco
Kate Singer
Affiliation:
Mount Holyoke College, Massachusetts

Information

Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2024
Creative Commons
Creative Common License - CCCreative Common License - BYCreative Common License - NC
This content is Open Access and distributed under the terms of the Creative Commons Attribution licence CC-BY-NC 4.0 https://creativecommons.org/cclicenses/

Acknowledgments

Percy Shelley for Our Times adopts the spirit of our volume’s main argument: it is a product of connections and collaborations across times and places. First and foremost, we must thank all our authors for engaging in the many conversations, presentations, and revisions that have yielded a collection of essays that we hope will steer Percy Shelley studies forward in the years to come. We are indebted to several collegial and nurturing spaces that allowed us to test out many of our ideas, including a Shelley200 Online Event (June 2022) and the Shelley Conference (Keats House, Hampstead, London, July 2022), both expertly organized by Anna Mercer, Bysshe Coffey, Amanda Blake Davis, and Paul Stephens, with the assistance of Laura Blunsden and Ana Romanelli; a Modern Language Association 2020 roundtable on the 200th anniversary of Prometheus Unbound (Seattle, Washington, January 2020); a North American Society for the Study of Romanticism (NASSR)/British Association for Romantic Studies (BARS) 2022 panel (Edge Hill University, Ormskirk, UK, August 2022) that included some epic technical difficulties (we prevailed); a NASSR 2023 seminar (Sam Houston State University, Texas, March 2023); Columbia University’s Nineteenth-Century British Literature Colloquium (organized by Johanna King-Slutzky and Conor Bruce MacVarish); and an Interdisciplinary Nineteenth-Century Studies (INCS) panel on “The Shelleys” (Knoxville, Tennessee, April 2023). Thank you to Emma Watkins, our sagacious, patient, and talented copy editor, for your adept skill at helping to bring the language in these pages into their stylistic and coherent elegance. We are appreciative of the financial support generously extended by Mount Holyoke College and University of San Francisco, which included grants for research assistantships, travel funding to conferences, and indexing services. With gratitude, as well, to Bethany Thomas, George Laver, and Sunantha Ramamoorthy from Cambridge University Press for your flexibility, openness, guidance, and enthusiasm. We are thankful for the socially, environmentally, and Shelleyan-conscious artwork of Janet Allsebrook as well as for the generosity of the artist herself for permitting us to mark this collection visually with the interwoven Shelleyan concepts at its core. Of course, there were also many individuals who read pieces of this volume and listened to late-night and far-flung interpretations and dreams of new worlds: Suzanne Barnett, Madeleine Callaghan, Bysshe Coffey, Julie A. Carlson, Gerard Cohen-Vrignaud, Stuart Curran, Neil Fraistat, Anna Mercer, Alan Richardson, Sharon Ruston, Ross Wilson, Fuson Wang, and Amy Wong.

This journey would have been neither possible nor meaningful without our mutually enriching and invigorating editorial collective of two. Our work together included “several” texting exchanges and phone conversations as well as many virtual and in-person presentations and teaching sessions, including a literature seminar, “Percy Shelley’s Life, Works, and Afterlives,” taught at the Department of English, University of San Francisco (Spring 2022).

… For joining me on this adventure filled with your encouraging and edifying conversations and insights. For your humanity, kindness, and generosity as a scholar, a teacher, a person, and a friend. For all your lyrical passions, your humor, and the many laughs: thank you, Kate! Rereading Percy Shelley alongside you and thinking carefully with you about why we need to continue engaging his ideas and writings have made “our times” truly dear and unforgettable …

… For my Virgo-Leo cusp conspirator, thank you for giving all the space and time to revolve through so many attempts in expressing the queerness of Shelley orbishness. For pushing me to polish and unjargon and make accessible, for engaging in jokes and confidences and ideas that comingle and listen without prejudice, for offering care and true friendship and hope to my skepticism, for continuing to dream in exile and to recite the poems that might decolonize us even as they find room for us all …

And, of course, to Joey, Chris, Bue, Dolores, and Norman (as well as our sustaining plants), we give you back all our Shelleyan zeal for the privilege of the best kind of involvements.

Accessibility standard: Unknown

Accessibility compliance for the HTML of this book is currently unknown and may be updated in the future.

Save book to Kindle

To save this book to your Kindle, first ensure no-reply@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×