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Published online by Cambridge University Press:  08 January 2025

Christopher Hart
Christopher Hart
Affiliation:
Lancaster University

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Type
Chapter
Information
Language, Image, Gesture
The Cognitive Semiotics of Politics
 , pp. ix - xi
Publisher: Cambridge University Press
Print publication year: 2025

Figures

  1. 3.1Default motion event in immigration discourse

  2. 3.2Inhibited motion (a) vs. impact on ground (b) schemas

  3. 3.3Multiplex (a) vs. uniplex (b)

  4. 3.4Expansion schema

  5. 3.5One-sided (a) vs. two-sided (b) action schemas

  6. 3.6Three-participant action-chain

  7. 3.790° rotation

  8. 3.8Change in state (action) (a) vs. change in location (caused motion) (b) schemas

  9. 3.9Concordance display for topple in the British National Corpus

  10. 4.1Two-participant action-chain

  11. 4.2Fully profiled two-participant action-chain

  12. 4.3Trajector–landmark alignment in active (a) vs. passive (b) voice

  13. 4.4Absolute intransitive

  14. 4.5Profiling in agentless passive construction

  15. 4.6Scanning

  16. 4.7Agent–instrument profile

  17. 4.8Profiling in patientless active construction

  18. 4.9‘Soldiers had opened fire after rioting’

  19. 4.10Directional prepositions

  20. 4.11Rescoping of attention

  21. 4.12Path profiling in translocational motion

  22. 4.13Caused motion with initial path profiling

  23. 4.14Metonymy

  24. 4.15Stop the boats lectern

  25. 4.16Stop the boats graphic

  26. 5.1Viewpoint: Interior to ground

  27. 5.2Viewpoint in transitive (a) vs. reciprocal (b) verb constructions

  28. 5.3Stimulus material used in Hart (2019b)

  29. 5.4Subjective (a) vs. objective (b) construal

  30. 5.5Frequency of ‘I am confident’ in the Hansard record

  31. 5.6Temporal viewpoint and aspect

  32. 5.7Model of evolving reality ®

  33. 5.8Modals and mental spaces

  34. 5.9Mental spaces for ‘There will be a rise in accident and emergency attendances per year’

  35. 5.10Mental spaces configuration for examples (24) and (25)

  36. 5.11Mental spaces and conditional constructions

  37. 5.12Mental spaces configuration for example (31)

  38. 5.13Mental spaces configuration for example (32)

  39. 5.14Abstract discourse space

  40. 5.15Positioning of discourse entities in Britain First text

  41. 5.16Spatial proximisation in Britain First text, (a) and (b)

  42. 5.17The temporal dimension

  43. 5.18Displacement

  44. 5.19Temporal proximisation in Britain First text

  45. 6.1Ontological and epistemological relations in conceptual metaphor

  46. 6.2Partial structure of war frame

  47. 6.3Metaphor matrix

  48. 6.4Fascist texts in metaphor resistance, (a) and (b)

  49. 7.1Multimodal construction

  50. 7.2Action-chain subsuming motion event

  51. 7.3Two-sided action-chain

  52. 7.4Impeded motion schemas, (a) and (b)

  53. 7.5Perceptual event schema

  54. 7.6Plexity of structure

  55. 7.7Viewpoint + schematisation in example (1)

  56. 7.8Viewing arrangements in reciprocal constructions, (a) and (b)

  57. 7.9Path windowing initial (a), medial (b) and final (c)

  58. 7.10Arrows in opening sequence of Dad’s Army

  59. 7.11Animal stampede

  60. 7.12Eugène Delacroix’s Liberty Leading the People

  61. 8.1Iconic gesture depicting wall going up

  62. 8.2Enactment gesture looking up and pointing to top of wall

  63. 8.3Iconic gesture depicting climbing up and falling down the wall

  64. 8.4Audience point (singular)

  65. 8.5Audience point (plural)

  66. 8.6Self-point

  67. 8.7Floor point

  68. 8.8Upward looping point

  69. 8.9Shrugs (a), (b), (c) and (d)

  70. 8.10Grappolo gesture in focussing

  71. 8.11Open hand prone with lateral movement in denial

  72. 8.12Precision grip in epistemic authorisation

  73. 8.13Extended hand in othering and inward movement in spatial proximisation

  74. 8.14Inward movement coinciding with ‘bring them in’

  75. 8.15Open-arms gesture exposing the body coinciding with ‘open-door immigration’

  76. 8.16Another open-arms gesture exposing the body coinciding with ‘open-door immigration’

  77. 8.17Open hand gesture of magnitude coinciding with ‘sheer volume’

  78. 8.18Open hand gesture of magnitude coinciding with ‘sheer pace’

  79. 8.19Movement of hands up and outward iconic of an explosion

  80. 8.20Arced movement toward chest coinciding with ‘massive oversupply’

  81. 8.21Cyclic gesture immediately preceding ‘continuous days’

  82. 8.22Inward sweeping gesture repeated three times to coincide with ‘unlimited supply’

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  • Figures
  • Christopher Hart, Lancaster University
  • Book: Language, Image, Gesture
  • Online publication: 08 January 2025
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  • Figures
  • Christopher Hart, Lancaster University
  • Book: Language, Image, Gesture
  • Online publication: 08 January 2025
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  • Figures
  • Christopher Hart, Lancaster University
  • Book: Language, Image, Gesture
  • Online publication: 08 January 2025
Available formats
×