Music Since 1900 - Series page

pp ii-iv

Gérard Grisey and Spectral Music - Title page

pp v-v

Copyright page

pp vi-vi

Dedication

pp vii-viii

Epigraph

pp ix-x

Contents

pp xi-xi

Figures

pp xii-xii

Music Examples

pp xiii-xiii

Acknowledgements

pp xiv-xv

Abbreviations

pp xvi-xvi

Introduction

pp 1-10

Part I - Grisey’s Style

pp 11-124

1 - Grisey’s Early Formation (1960–1966)

pp 13-33

2 - Messiaen’s Class and New Music in Late 1960s Paris (1967–1970)

pp 34-68

3 - Statistical Serialism and Vagues, chemins, le souffle (1970–1972)

pp 69-94

4 - On the Threshold: D’eau et de pierre (1972)

pp 95-124

Part II - Spectral Music

pp 125-260

5 - Psychoacoustics and the New Compositional Framework (1973–1974)

pp 127-156

6 - L’Itinéraire and Synthetic Music (1973–1976)

pp 157-196

7 - New Dimensions (1976–1978)

pp 197-233

8 - Spectral Music and écriture liminale (1979–1982)

pp 234-260

Conclusion

pp 261-269

Bibliography

pp 270-291

Index

pp 292-298