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Part II - Kicking out the Turks

Published online by Cambridge University Press:  31 August 2024

Michelle Lynn Kahn
Affiliation:
University of Richmond, Virginia

Summary

Information

Figure 0

Figure 4.1 Emblematic of rising racism, West Germans sometimes banned Turkish clientele from their establishments. This sign in Berlin-Spandau, for example, states: “Turks are not permitted in this restaurant,” 1982.

© picture alliance/dpa, used with permission.
Figure 1

Figure 4.2 Semra Ertan, Turkish-German poet and anti-racism activist, ca. 1980. Ertan brought transnational attention to West Germans’ mistreatment of Turks when she committed suicide publicly in protest in Hamburg.

© Bilir-Meier Family Archive, used with permission.
Figure 2

Figure 4.3 Members of the prominent Turkish gang 36 Boys in Berlin-Kreuzberg proudly stand in front of “36” graffiti, 1990.

© Ergun Çagatay/Fotoarchiv Ruhr Museum/Stadtmuseum Berlin/Stiftung Historische Museen Hamburg, used with permission.
Figure 3

Figure 4.4 Young Turkish protesters march with a banner that states: “We do not want to be the Jews of tomorrow,” 1981.

© picture alliance/dpa, used with permission.
Figure 4

Figure 4.5 Protesters somberly hold yellow Stars of David, which the Nazis forced Jews to wear, to draw a powerful visual connection between past and present persecution, 1982. Written in the stars are “asylum seeker,” “foreigner,” and “Jew,” although it is unclear whether the individuals holding the signs belong to those respective groups.

© Deutsche Fotothek/Martin Langer, used with permission.
Figure 5

Figure 5.1 Annual percentage of West Germany’s Turkish migrant population who returned “permanently,” 1980–1990.7 In 1984, due to the West German government’s remigration law, the rate of return migration skyrocketed to 15 percent. It then declined sharply to just over 2 percent throughout the decade’s latter half. Created by author.

Figure 6

Figure 5.2 Cartoon depicting Turkish guest workers’ difficult decision regarding remigration, 1979. Should they return to their homeland, or should they remain in West Germany and continue to save Deutschmarks?.18

© Cumhuriyet, used with permission
Figure 7

Figure 5.3 Cover of Metall, the magazine of the metalworkers trade union, opposing the remigration law, 1983. The text reads: “Toiled for us – and now out? The pressure on our foreign fellow citizens is becoming increasingly inhumane.”

© IG Metall, used with permission.
Figure 8

Figure 5.4 Cartoon in Hürriyet emphasizing West German racism as a main reason for return migration, ca. 1984. The text states: “In my opinion, the most effective remigration incentives are some people’s facial expressions.”

© Oğuz Peker, used with permission.
Figure 9

Figure 5.5 A Turkish family packs their van with all their possessions, preparing to return to Turkey permanently after taking the remigration premium, 1984.

© akg-images/Guenay Ulutuncok, used with permission.
Figure 10

Figure 5.6 Turkish women in Kreuzberg pack their cars and say goodbye as they await their families’ departure, 1985.

© Bayerische Staatsbibliothek/stern-Fotoarchiv/Jürgen Müller-Schneck, used with permission.
Figure 11

Figure 6.1 A young Turkish child in West Germany waves the Turkish flag – a symbol of his identity and connection to his home country, 1979. © Süddeutsche Zeitung Photo/Alamy Stock Foto, used with permission.

Figure 12

Figure 6.2 Cartoon depicting a distressed “return child” (Rückkehrkind) forced to remigrate to Turkey with his parents, 1989. The division of the child’s body into black and white represents his identity conflict as both Turkish and German – or for many children, as neither Turkish nor German.

© Erdoğan Karayel, used with permission.
Figure 13

Figure 6.3 Turkish teenagers in denim pants, mocked as “Almancı children” in their home country, mid-1980s. Behind them are posters expressing their interest in American and European popular culture: Humphrey Bogart in Casablanca (1942), Gary Cooper in the western classic High Noon (1952), the American horror film Tarantula (1955), the Bruce Lee film Fist of Fury (1972), Freddie Mercury performing in Queen’s 1977 world tour, Miss Piggy from The Muppet Movie (1979), and the German Eurodisco pop band Dschinghis Khan, which won fourth place at the 1979 Eurovision song contest.

© akg-images/Guenay Ulutuncok, used with permission.
Figure 14

Figure 6.4 Front-page Cumhuriyet article on the struggles of “return children” in the Turkish government’s integration courses, August 14, 1984. The headline states: “They Grew up in Another Country and Made their ‘Final’ Return, Now … They Will Adapt to Us.”

© Cumhuriyet, used with permission.
Figure 15

Figure 6.5 Reflecting return migrants’ praise of West Germany’s “democratic” teaching style versus the “authoritarian” education in Turkey, Turkish children in a West German preparatory school eagerly raise their hands, 1980.

© picture alliance/dpa, used with permission.

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  • Kicking out the Turks
  • Michelle Lynn Kahn, University of Richmond, Virginia
  • Book: Foreign in Two Homelands
  • Online publication: 31 August 2024
  • Chapter DOI: https://doi.org/10.1017/9781009486682.006
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  • Kicking out the Turks
  • Michelle Lynn Kahn, University of Richmond, Virginia
  • Book: Foreign in Two Homelands
  • Online publication: 31 August 2024
  • Chapter DOI: https://doi.org/10.1017/9781009486682.006
Available formats
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Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Kicking out the Turks
  • Michelle Lynn Kahn, University of Richmond, Virginia
  • Book: Foreign in Two Homelands
  • Online publication: 31 August 2024
  • Chapter DOI: https://doi.org/10.1017/9781009486682.006
Available formats
×