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  • Publisher:
    Cambridge University Press
    Publication date:
    22 December 2025
    19 January 2026
    ISBN:
    9781009634304
    9781009634281
    9781009634328
    Creative Commons:
    Creative Common License - CC Creative Common License - BY Creative Common License - NC Creative Common License - ND
    This content is Open Access and distributed under the terms of the Creative Commons Attribution licence CC-BY-NC-ND 4.0.
    https://creativecommons.org/creativelicenses
    Dimensions:
    (229 x 152 mm)
    Weight & Pages:
    0.636kg, 324 Pages
    Dimensions:
    (229 x 152 mm)
    Weight & Pages:
    0.47kg, 324 Pages
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Book description

Why do people write about politics? And why does political writing get published? This innovative study explores the diverse world of modern British political writing, examining its evolving genres and their pivotal role in shaping political identities, ideologies, and movements. Spanning memoirs, biographies, parliamentary novels, fanzines, and grassroots publications, chapters consider how these forms have documented lived experiences, challenged authority, and influenced political discourse across all levels of society. Contributions from leading scholars illuminate the creative strategies and cultural contexts of political writing since the late nineteenth-century across varied regional contexts, from Beatrice Webb's diaries to punk zines and Conservative pamphlets. In doing so, they examine the interplay of literature, propaganda, and activism, offering fresh perspectives on the connections between politics and publishing. Accessible and insightful, this study provides a window into how political ideas are crafted, disseminated, and reinforced through the written word. This title is also available as open access on Cambridge Core.

Reviews

‘Even in an age of podcasts and TikTok, the written word remains crucial to how both politicians and voters understand and articulate political ideas. The authors in this capacious and engaging volume shed a new light on how writing about politics has shaped our understanding in the modern era. The volume is an important contribution to the literature on contemporary political history.

Laura Beers - American University

‘In Writing Politics in Modern Britain, an accomplished array of practitioners of the ‘new political history' address how literary conventions shape political texts. The result is a distinctly original contribution to our understanding of how politics has been conceived in modern Britain, with a commendable focus on the contexts of gender and sexuality.'

Martin Francis - University of Sussex

‘This invaluable collection explores how acts of writing and publishing enabled different ways of ‘doing politics.' Dazzling in scope, the authors expertly examine the connections between writers and readers at all levels of society. Writing Politics in Modern Britain will undoubtedly become a landmark study.'

Saima Nasar - University of Bristol

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Contents

  • Writing Politics in Modern Britain
    pp i-ii
  • Writing Politics in Modern Britain - Title page
    pp iii-iii
  • Genre and Cultures of Publishing since 1900
  • Copyright page
    pp iv-iv
  • Contents
    pp v-vi
  • Contributors
    pp vii-x
  • Acknowledgements
    pp xi-xii
  • Introduction
    pp 1-20
  • Part I - Views from Westminster
    pp 21-84
  • 1 - Political Life-Writing
    pp 23-42
  • Biographies, Memoirs, Diaries, and their Para-texts
  • 3 - Obituarial Lives
    pp 64-84
  • Part II - Perspectives from the Left
    pp 85-124
  • 4 - Authorising Herself
    pp 87-106
  • The Political Pen of Beatrice Webb
  • 5 - Versifying Politics
    pp 107-124
  • G. D. H. Cole and the Uses of Poetry
  • Part III - Perspectives from the Right
    pp 125-170
  • Part IV - Writing from Below
    pp 171-210
  • 8 - Suburban Revolt
    pp 173-191
  • Punk Fanzines and Formative Politics c. 1976–1986
  • 9 - Coalfield Women’s Writing during the 1984–1985 Miners’ Strike
    pp 192-210
  • Part V - Networks and Nations
    pp 211-254
  • 10 - British, Irish, Left, Lost
    pp 213-233
  • Revisiting Northern Ireland’s ‘Progressive Bookmen’
  • 11 - From Print Culture to Parliament? Writing the ‘New Scotland’ into Reality
    pp 234-254
  • Part VI - The Intellectual Public Sphere
    pp 255-293
  • 13 - The Rhetoric of Dissidence
    pp 277-293
  • Social Critics and Imagined Readers
  • Index
    pp 294-310

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