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  • Publisher:
    Cambridge University Press
    Publication date:
    19 December 2025
    22 January 2026
    ISBN:
    9781009654296
    9781009654319
    Creative Commons:
    Creative Common License - CC Creative Common License - BY Creative Common License - NC Creative Common License - ND
    This content is Open Access and distributed under the terms of the Creative Commons Attribution licence CC-BY-NC-ND 4.0.
    https://creativecommons.org/creativelicenses
    Dimensions:
    (228 x 152 mm)
    Weight & Pages:
    0.447kg, 204 Pages
    Dimensions:
    Weight & Pages:
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Book description

This book retraces the emergence of conceptions of authorship in late-eighteenth-century Germany by studying the material form of Immanuel Kant's 1785 essay, 'On the Wrongfulness of Reprinting'. Drawing upon book history, media theory, and literary studies, Benjamin Goh analyses the essay's paratexts as indices of literary production in the German Enlightenment. Far from being an idealist proponent of intellectual property, Kant is shown to be a media theorist and practitioner, whose critical negotiation with the evolving print machinery in his time helps illuminate our present struggle with digital technology and the mounting pressures borne by copyright as a proprietary institution. Through its novel perspective on established debates surrounding authorship, this book critiques the proprietary conception of authorship in copyright law, and proposes an ethical alternative that responds to the production, circulation, and reading of literature. This title is also available as open access on Cambridge Core.

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Contents

Full book PDF
  • The Materiality of Literature
    pp i-ii
  • Cambridge Intellectual Property and Information Law - Series page
    pp iii-iii
  • Frontispiece
    pp iv-iv
  • The Materiality of Literature - Title page
    pp v-v
  • Rereading Authorship and Copyright with Kant
  • Copyright page
    pp vi-vi
  • Contents
    pp vii-viii
  • Figures
    pp ix-x
  • Acknowledgements
    pp xi-xii
  • Introduction: Literary Materiality and the Question of Authorship
    pp 1-20
  • 1 - Two Ways of Looking at a Printed Book
    pp 21-51
  • 2 - From Paratexts to Print Machinery
    pp 52-76
  • 3 - Materialities of Type
    pp 77-115
  • 4 - A Biography of I. Kant
    pp 116-166
  • Conclusion
    pp 167-186
  • The Ethics of Digital Authorship
  • Index
    pp 187-187
  • Cambridge Intellectual Property and Information Law - Series page
    pp 188-192

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