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  3. Boccaccio and the Invention of Italian Literature
  • Cited by 32
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    • Publisher:
      Cambridge University Press
      Publication date:
      05 October 2013
      12 September 2013
      ISBN:
      9781107300484
      9781107041660
      9781316619698
      DOI:
      https://doi.org/10.1017/CBO9781107300484
      Dimensions:
      (228 x 152 mm)
      Weight & Pages:
      0.52kg, 260 Pages
      Dimensions:
      (229 x 152 mm)
      Weight & Pages:
      0.4kg, 262 Pages
      • Subjects:
      Literature, Area Studies, European Literature, Anglo Saxon and Medieval Literature, European Studies
      Series:
      Cambridge Studies in Medieval Literature (87)
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    • Selected: Digital
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    Subjects:
    Literature, Area Studies, European Literature, Anglo Saxon and Medieval Literature, European Studies
    Series:
    Cambridge Studies in Medieval Literature (87)
    Information

    Book description

    Giovanni Boccaccio played a pivotal role in the extraordinary emergence of the Italian literary tradition in the fourteenth century, not only as author of the Decameron, but also as scribe of Dante, Petrarch and Cavalcanti. Using a single codex written entirely in Boccaccio's hand, Martin Eisner brings together material philology and literary history to reveal the multiple ways Boccaccio authorizes this vernacular literary tradition. Each chapter offers a novel interpretation of Boccaccio as a biographer, storyteller, editor and scribe, who constructs arguments, composes narratives, compiles texts and manipulates material forms to legitimize and advance a vernacular literary canon. Situating these philological activities in the context of Boccaccio's broader reflections on poetry in the Decameron and the Genealogy of the Gentile Gods, the book produces a new portrait of Boccaccio that integrates his vernacular and Latin works, while also providing a new context for understanding his fictions.

    Reviews

    'Eisner’s book is a welcome addition to studies on the self‐authorizing project of the Italian poets at a key moment in the rise of European vernaculars. It is also a particularly fine specimen of the 'material' turn in medieval literary studies. A reliable guide to this intricate web of interconnectedness, Eisner shows how productive the combination of philology and interpretation can be, tracing convincingly the impact of paleographical features on reception, the significance of making a book, the significance of page layout, of juxtaposition, of inclusion and exclusion, of editorial choices, of contamination in transcription - and Boccaccio’s unique role in all of this.'

    Alison Cornish Source: Modern Philology

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