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  3. Poetry, Media, and the Material Body
  • Cited by 15
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    • Publisher:
      Cambridge University Press
      Publication date:
      30 July 2018
      09 August 2018
      ISBN:
      9781108292474
      9781108418966
      9781108408585
      DOI:
      https://doi.org/10.1017/9781108292474
      Dimensions:
      (228 x 152 mm)
      Weight & Pages:
      0.49kg, 210 Pages
      Dimensions:
      (229 x 152 mm)
      Weight & Pages:
      0.32kg, 212 Pages
      • Subjects:
      Literature, English Literature 1830-1900
      Series:
      Cambridge Studies in Nineteenth-Century Literature and Culture (113)
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    • Selected: Digital
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    Subjects:
    Literature, English Literature 1830-1900
    Series:
    Cambridge Studies in Nineteenth-Century Literature and Culture (113)
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    Book description

    From the Romantic fascination with hallucinatory poetics to the turn-of-the-century mania for automatic writing, poetry in nineteenth-century Britain appears at crucial times to be oddly involuntary, out of the control of its producers and receivers alike. This elegant study addresses the question of how people understood those forms of written creativity that seem to occur independently of the writer's will. Through the study of the century's media revolutions, evolving theories of physiology, and close readings of the works of nineteenth-century poets including Wordsworth, Coleridge and Tennyson, Ashley Miller articulates how poetry was imagined to promote involuntary bodily responses in both authors and readers, and how these responses enlist the body as a medium that does not produce poetry but rather reproduces it. This is a poetics that draws attention to, rather than effaces, the mediacy of the body in the processes of composition and reception.

    Reviews

    ‘Miller’s book is consistently insightful, imaginative, and well written, brimming with virtuosic readings that range across a wide variety of texts and disciplines … A valuable contribution to nineteenth-century scholarship, it brilliantly recalibrates the connections not only among literary texts, somatic experience, and emerging technology, but also among writers, readers, and critics.'

    Veronica Alfano Source: Victorian Studies

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