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  • Cited by 29
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    • Publisher:
      Cambridge University Press
      Publication date:
      19 April 2019
      25 April 2019
      ISBN:
      9781108672580
      9781108483070
      9781108716352
      Dimensions:
      (228 x 152 mm)
      Weight & Pages:
      0.52kg, 276 Pages
      Dimensions:
      (229 x 152 mm)
      Weight & Pages:
      0.421kg, 280 Pages
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    Book description

    In this book, Rachel Zuckert provides the first overarching account of Johann Gottfried Herder's complex aesthetic theory. She guides the reader through Herder's texts, showing how they relate to eighteenth- and nineteenth-century European philosophy of art, and focusing on two main concepts: aesthetic naturalism, the view that art is natural to and naturally valuable for human beings as organic, embodied beings, and - unusually for Herder's time - aesthetic pluralism, the view that aesthetic value takes many diverse and culturally varying forms. Zuckert argues that Herder's theory plays a pivotal role in the history of philosophical aesthetics, marking the transition from the eighteenth-century focus on aesthetic value as grounded in human nature to the nineteenth-century focus on art as socially significant and historically variable. Her study illuminates Herder's significance as an innovative thinker in aesthetics, and will interest a range of readers in philosophy of art and European thought.

    Awards

    Winner, 2020 Outstanding Monograph Prize, American Society for Aesthetics

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