Cambridge Intellectual Property and Information Law - Series page

pp ii-ii

Negotiating Copyright in the American Theatre: 1856–1951 - Title page

pp iii-iii

Copyright page

pp iv-iv

Contents

pp v-v

Figures

pp vi-vi

Tables

pp vii-vii

Acknowledgments

pp viii-x

Introduction

pp 1-14

Part I - Mediating the American Theatre

pp 15-132

1 - Copyright and the Facilitation of Theatrical Production

pp 17-27

2 - The Publisher’s Unpublished Empire

pp 28-59

3 - The Enduring “Piratical” Pursuits of Alexander Byers

pp 60-82

4 - Brokering Theatre

pp 83-101

5 - Negotiating Playwright Integrity

pp 102-132

Part II - The Organizational Response

pp 133-239

6 - The Playwright Code

pp 141-166

7 - Carl E. Ring and the American Playwright Trade Association

pp 167-185

8 - Trading On “Its Own Inherent Strength”

pp 186-210

Epilogue

pp 211-239

Bibliography

pp 240-251

Index

pp 252-266

Cambridge Intellectual Property and Information Law - Series page

pp 267-268