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  3. The City of Blue and White
  • Cited by 31
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    • Publisher:
      Cambridge University Press
      Publication date:
      24 February 2020
      07 May 2020
      ISBN:
      9781108753104
      9781108499958
      DOI:
      https://doi.org/10.1017/9781108753104
      Dimensions:
      (247 x 174 mm)
      Weight & Pages:
      0.9kg, 354 Pages
      Dimensions:
      Weight & Pages:
      • Subjects:
      Non-Western Art, East Asian History, Area Studies, Art, Asian Studies, History
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    Subjects:
    Non-Western Art, East Asian History, Area Studies, Art, Asian Studies, History
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    Book description

    We think of blue and white porcelain as the ultimate global commodity: throughout East and Southeast Asia, the Indian Ocean including the African coasts, the Americas and Europe, consumers desired Chinese porcelains. Many of these were made in the kilns in and surrounding Jingdezhen. Found in almost every part of the world, Jingdezhen's porcelains had a far-reaching impact on global consumption, which in turn shaped the local manufacturing processes. The imperial kilns of Jingdezhen produced ceramics for the court, while nearby private kilns manufactured for the global market. In this beautifully illustrated study, Anne Gerritsen asks how this kiln complex could manufacture such quality, quantity and variety. She explores how objects tell the story of the past, connecting texts with objects, objects with natural resources, and skilled hands with the shapes and designs they produced. Through the manufacture and consumption of Jingdezhen's porcelains, she argues, China participated in the early modern world.

    Reviews

    ‘This is a necessary and a valuable book, as well as being readable and engaging throughout. It deserves a wider readership in its illustration of the more general point that ‘global history can only be written by taking the local seriously'.'

    Craig Clunas - University of Oxford

    ‘The City of Blue and White is an authoritative, comprehensive, and riveting account of the natural and human ecologies of porcelain-making in Jingdezhen from the eleventh to the eighteenth centuries. If a cultural historian, a craft hobbyist, a curious student, or a historian of technology asks me to recommend one book on Chinese ceramics, this would be the one.'

    Dorothy Ko - Author of Social Life of Inkstones: Artisans and Scholars in Early Qing China

    ‘A masterwork of accessible, interdisciplinary scholarship that tells the fascinating story of the world's great porcelain - producing centre, Jingdezhen. The extensive, complex history of this city and its primary product is told here from a new, global and local perspective which illuminates the multiple reasons for the rise, dominance and subsequent decline of this manufacturing powerhouse.'

    Stacey Pierson - School of Oriental and African Studies, University of London

    '… beautifully produced and a pleasure to handle as well as read.'

    Norma Clarke Source: Times Literary Supplement

    ‘A truly stimulating work, it will fruitfully serve as a thorough entry point into the very large and diverse scholarship surrounding porcelain and to Jingdezhen’s central role in that history, and, more broadly, as a demonstration of a new and very fertile approach to global history.’

    Susan Broomhall Source: Parergon

    ‘This is a beautifully written book …’

    Michael Yonan Source: Art History

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