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  3. The Cambridge Companion to the Pre-Raphaelites
  • Cited by 8
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    • Publisher:
      Cambridge University Press
      Publication date:
      28 September 2012
      23 July 2012
      ISBN:
      9781139017183
      9780521895156
      9780521719315
      DOI:
      https://doi.org/10.1017/CCOL9780521895156
      Dimensions:
      (228 x 152 mm)
      Weight & Pages:
      0.56kg, 336 Pages
      Dimensions:
      (228 x 152 mm)
      Weight & Pages:
      0.44kg, 336 Pages
      • Subjects:
      Literature, Art: General Interest, Art, English Literature: General Interest, English Literature 1830-1900
      Series:
      Cambridge Companions to Literature
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    • Selected: Digital
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    Subjects:
    Literature, Art: General Interest, Art, English Literature: General Interest, English Literature 1830-1900
    Series:
    Cambridge Companions to Literature
    Information

    Book description

    The group of young painters and writers who coalesced into the Pre-Raphaelite movement in the middle years of the nineteenth century became hugely influential in the development not only of literature and painting, but also more generally of art and design. Though their reputation has fluctuated over the years, their achievements are now recognised and their style enjoyed and studied widely. This volume explores the lives and works of the central figures in the group: among others, the Rossettis, William Holman Hunt, John Everett Millais, Ford Madox Brown, William Morris and Edward Burne-Jones. This is the first book to provide a general introduction to the Pre-Raphaelite movement that integrates its literary and visual art forms. The Companion explains what made the Pre-Raphaelite style unique in painting, poetry, drawing and prose.

    Reviews

    'Ambitious and challenging, The Cambridge Companion to the Pre-Raphaelites achieves the impossible task of a somewhat comprehensive view of Pre-Raphaelite poetry and painting, thus making a solid contribution to Pre-Raphaelite studies and art history.'

    Source: Journal of Pre-Raphaelite Studies

    ‘… offers eighteen distinct chapters and an introduction by major scholars in the field, the variety of authorship allowing for an unusually full treatment of individual issues and artists. In the case of Dante Gabriel Rossetti and William Morris, there is one chapter on the verse and another on the plastic arts. What emerges is an unusually textured account of a movement and its sources and ramifications.’

    Jonah Siegal Source: Victorian Studies

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