Anonymous [Percy Fitzgerald], Recollections of Dublin Castle and of Dublin Society by ‘A Native’ (London: Chatto & Windus, 1902).
Anonymous, The Spirit of the Nation (Dublin: James Duffy, 1845).
Anonymous The Wearing of the Green Song Book (Boston: Thomas B. Noonan & Co., n.d.).
Barfoot, C. C. and Rias van den Doel (eds.), Ritual Remembering: History, Myth and Politics in Anglo-Irish Drama (Atlanta, GA: Rodopi, 1995).
Berrow, Hilary, ‘Introduction to Kerry, or Night and Morning’, Irish University Review 3 (Spring 1973), 31–50.
Boltwood, Scott, ‘“The Ineffaceable Curse of Cain”: Race, Miscegenation, and the Victorian Staging of Irishness’, Victorian Literature and Culture 29:2 (2001), 383–96.
Booth, Michael R., ‘Irish Landscape in the Victorian Theatre’, in Andrew Carpenter (ed.), Place, Personality and the Irish Writer (Gerrards Cross, Bucks.: Colin Smythe, 1977).
Brooks, Peter, The Melodramatic Imagination (New Haven and London: Yale University Press, 1976).
Brown, Terence, The Literature of Ireland: Criticism and Culture (Cambridge University Press, 2010).
Cairns, David and Shaun Richards, Writing Ireland: Colonialism, Nationalism and Culture (Manchester University Press, 1988).
Carlson, Marvin, ‘Theatre Audiences and the Reading of Performance’, in Thomas Postlewait and Bruce A. McConachie (eds.), Interpreting the Theatrical Past: Essays in the Historiography of Performance (Iowa City: University of Iowa Press, 1989).
Cave, Richard Allen, ‘The Presentation of English and Irish Characters in Boucicault's Irish Melodramas’, in Wolfgang Zach and Heinz Kosok (eds.), Literary Interrelations: Ireland, England and the World, Volume 3: National Images and Stereotypes (Tübingen: Narr, 1987).
Cave, Richard Allen, ‘Staging the Irishman’, in J. S. Bratton, Richard Allen Cave, Breandan Gregory, Heidi J. Holder and Michael Pickering, Acts of Supremacy: The British Empire and the Stage, 1790–1930 (Manchester and New York: Manchester University Press, 1991).
Comerford, R. V., The Fenians in Context: Irish Politics and Society 1848–82 (Dublin: Wolfhound Press, 1985).
Condon, Denis, Early Irish Cinema 1895–1921 (Dublin: Irish Academic Press (2008).
Cooper, David (ed.), The Petrie Collection of the Ancient Music of Ireland (Cork University Press, 2002).
Cullen, Fintan and R. F. Foster, Conquering England: Ireland in Victorian London (London: National Portrait Gallery Publications, 2005).
Cullingford, Elizabeth Butler, Ireland's Others: Ethnicity and Gender in Irish Literature and Popular Culture (Cork University Press, 2001).
Curtis, L. Perry, Jr, Apes and Angels: The Irishman in Victorian Caricature (Newton Abbot: David and Charles, 1971).
Daly, Nicholas, ‘The Many Lives of the Colleen Bawn: Pastoral Suspense’, Journal of Victorian Culture 12:1 (2007), 1–25.
Davis, Jim and Victor Emeljanow, Reflecting the Audience: London Theatregoing, 1840–1880 (Hatfield: University of Hertfordshire Press, 2001).
Deane, Seamus (ed.), The Field Day Anthology of Irish Writing, Volume ii (Derry: Field Day Publications, 1991).
Diner, Hasia R., ‘“The Most Irish City in the Union”: The Era of the Great Migration, 1844–1877’, in Ronald H. Bayor and Timothy J. Meagher (eds.), The New York Irish (Baltimore and London: Johns Hopkins University Press, 1996).
Donohue, Joseph, ‘Evidence and Documentation’, in Thomas Postlewait and Bruce A. McConachie (eds.), Interpreting the Theatrical Past (Iowa City: University of Iowa Press, 1989).
Fanning, Charles, ‘Robert Emmet and Nineteenth-Century Irish America’, New Hibernia Review 8:4 (Winter 2004), 53–83.
Fawkes, Richard, Dion Boucicault: A Biography (London: Quartet Books, 1979).
Ferrar, Harold, ‘Robert Emmet in Irish Drama’, Éire/Ireland 2 (Summer 1996), 19–28.
Fitz-Simon, Christopher, ‘Buffoonery and Easy Sentiment’: Popular Irish Plays in the Decade Prior to the Opening of The Abbey Theatre (Dublin: Carysfort Press, 2011).
Foster, R. F., Modern Ireland 1600–1972 (London: Penguin, 1988).
Fuld, James J., The Book of World-Famous Music: Classical, Popular and Folk (New York: Dover Publications, 1995).
Gallagher, S. F. (ed.), Women in Irish Legend, Life and Literature (Gerrards Cross: Colin Smythe, 1983).
Geoghegan, Patrick M., Robert Emmet: A Life (Dublin: Gill & Macmillan, 2002).
Gibbons, Luke, ‘Romanticism, Realism and Irish Cinema’, in Kevin Rockett, Luke Gibbons and John Hill, Cinema and Ireland (London: Routledge, 1988).
Gillen, Gerard and Harry White (eds.), Irish Musical Studies 3: Music and Irish Cultural History (Dublin and Portland, OR: Irish Academic Press, 1995).
Gregory, Lady Augusta, Our Irish Theatre (Gerrards Cross: Colin Smythe, 1972).
Grene, Nicholas, The Politics of Irish Drama: Plays in Context from Boucicault to Friel (Cambridge University Press, 1999).
Hand, Brian, ‘Sixty Four Arrah-na-Pogue’, Abbey Theatre, Dublin, programme for Arrah-na-Pogue, December 2010.
Harrington, John P., The Irish Play on the New York Stage 1874–1966 (Lexington: University Press of Kentucky, 1997).
Hogan, Robert, Dion Boucicault (New York: Twayne, 1969).
Huffman, James L., A Yankee in Meiji Japan: The Crusading Journalist Edward H. House (Lanham, MA: Rowman & Littlefield, 2003).
Johnson, Thomas H., The Oxford Companion to American History (New York: Oxford University Press, 1966).
Kiberd, Declan, Inventing Ireland (London: Jonathan Cape, 1995).
Korf, Leonard Lee, An Examination of Some Obscurities in the Life of Dion Boucicault (unpublished doctoral thesis, University of California, Los Angeles, 1975).
Kosok, Heinz, ‘Dion Boucicault's “American” Plays: Considerations on Defining National Literatures in English’, in Robert Welch and Suheil Badi Bushrui (eds.), Literature and the Art of Creation: Essays and Poems in Honour of A. Norman Jeffares (Gerrards Cross and Totowa: Colin Smythe, 1988).
Kosok, Heinz ‘John Bull's Other Ego: Reactions to the Stage Irishman in Anglo-Irish Drama’, in Richard Wall (ed.), Medieval and Modern Ireland (Gerrards Cross: Colin Smythe, 1988).
Krause, David, ‘The Theatre of Dion Boucicault’, in David Krause (ed.), The Dolmen Boucicault (Dublin: Dolmen Press, 1964).
Lonergan, Patrick, Theatre and Globalization: Irish Drama in the Celtic Tiger Era (Basingstoke: Palgrave Macmillan, 2009).
Lyons, F. S. L., Charles Stewart Parnell (Dublin: Gill & Macmillan, 2005).
Mack, Robert L. (ed.), Oliver Goldsmith (London: J. M. Dent, 1997).
McCarthy, Justin, Reminiscences (London: Chatto & Windus, 1899).
McConachie, Bruce A., Melodramatic Formations: American Theatre & Society, 1820–1870 (Iowa City: University of Iowa Press, 1992).
McCormick, John, Dion Boucicault (Cambridge and Alexandria, VA: Chadwyck-Healey, 1987).
McMahon, Séan, ‘The Wearing of the Green: The Irish Plays of Dion Boucicault’, Éire/Ireland 2 (Summer 1967), 98–111.
Meer, Sarah, ‘Dion Boucicault, the “Political Shaughraun”: Transatlantic Irishness and an International Theatre’, Symbiosis: A Journal of Anglo-American Literary Relations 10.2 (October 2006), 147–66.
Meisel, Martin, ‘“Dear Harp of My Country”; Or, Shaw and Boucicault’, in SHAW: The Annual of Bernard Shaw Studies 30 (2010), 43–62.
Miller, Kerby A., Emigrants and Exiles: Ireland and the Irish Exodus to North America (New York: Oxford University Press, 1985).
Miller, Tice L., Bohemians and Critics: American Theatre Criticism in the Nineteenth Century (Metuchen, NJ and London: Scarecrow Press, 1981).
Mitchel, John, Jail Journal (Dublin: University Press of Ireland, 1982 (reproduction of Dublin: M. H. Gill & Son, 1913)).
Morash, Christopher, A History of Irish Theatre, 1601–2000 (Cambridge University Press, 2002).
Morash, Christopher‘Irish Theatre’, in Joe Cleary and Claire Connolly (eds.), The Cambridge Companion to Modern Irish Culture (Cambridge University Press, 2005).
Mott, Frank Luther, American Journalism 1: A History of Newspapers in the United States through 250 years, 1690–1940 (New York: The Macmillan Company, 1941).
Mullen, Mark, ‘The Work of the Public Mind’, Nineteenth-Century Theatre 27:2 (Winter 1999), 89–115.
Nelson, James M., ‘From Rory and Paddy to Boucicault's Myles, Shaun and Conn: The Irishman on the London Stage, 1830–1860’, Éire/Ireland 133 (Autumn 1978), 79–105.
O’Casey, Sean, Autobiographies Volumes i and ii (London: Macmillan London Ltd, 1981).
Odell, George C. D., Annals of the New York Stage, Volume ix (1870–1875) (New York: Columbia University Press, 1937).
Parker, Stewart, Heavenly Bodies, in Plays: 2 (London: Methuen, 2000), pp. 152–4.
Pine, Richard, ‘After Boucicault: Melodrama and the Modern Irish Stage’, Dion Boucicault and the Irish Melodrama Tradition, a special issue of Prompts: Bulletin of the Irish Theatre Archive 6 (September 1983), 39–50.
Pyle, Hilary, Jack B. Yeats: A Biography (London: Routledge & Kegan Paul, 1970).
Pyle, Hilary, Jack B. Yeats: A Catalogue Raisonné of the Oil Paintings Volumei (London: André Deutsch, 1992).
Richards, Jeffrey, Sir Henry Irving: A Victorian Actor and his World (London and New York: Hambledon and London, 2005).
Richardson, Gary A., ‘Boucicault's The Octoroon and American Law’, Theatre Journal 34 (May 1982), 155–64.
Richardson, Gary A. ‘The Greening of America: The Cultural Business of Dion Boucicault's The Shaughraun’, American Drama (Spring 1994), 1–28.
Rodechko, James Paul, A Case Study of Irish-American Journalism 1870–1913 (New York: Arno Press, 1976).
Shaw, Bernard, Collected Letters 1874–1897, ed. Dan H. Laurence (London: Max Reinhardt, 1965).
Shaw, Bernard, Our Theatres in the Nineties, Volume ii (London: Constable & Co., 1931).
Stephens, John Russell, The Censorship of English Drama 1824–1901 (Cambridge University Press, 1980).
Stevens, Peter, The Voyage of the Catalpa (London: Weidenfeld & Nicolson, 2003).
Stoker, Bram, Personal Reminiscences of Henry Irving (London: William Heinemann, 1906).
Stowe, Harriet Beecher, Uncle Tom's Cabin (New York and London: Penguin, 1981 (1852)).
Sullivan, T. D., A. M. Sullivan and D. B. Sullivan, Speeches from the Dock, or Protests of Irish Patriotism. The Manchester Tragedy and the Cruise of the Jacknell Packet. ‘The Wearing of the Green’ or the Prosecuted Funeral Procession (in three parts) (Dublin: A. M. Sullivan, 1872).
Thomson, Peter, ‘Introduction’, to Peter Thomson (ed.), Plays by Dion Boucicault (Cambridge and New York: Cambridge University Press, 1984).
Vince, R. W., ‘Theatre History as an Academic Discipline’, in Thomas Postlewait and Bruce A. McConachie (eds.), Interpreting the Theatrical Past (Iowa City: University of Iowa Press, 1989).
Walsh, Townsend, The Career of Dion Boucicault (New York: The Dunlap Society, 1915).
Watt, Stephen, ‘Boucicault and Whitbread: The Dublin Stage at the End of the Nineteenth Century’, Éire/Ireland 18 (Autumn 1983), 23–53.
Watt, StephenJoyce, O’Casey, and the Irish Popular Theater (Syracuse University Press, 1991).
Winter, William, Other Days: Being Chronicles and Memories of the Stage (New York: Moffat, Yard & Co., 1908).
Yeats, W. B., The Collected Letters Volume 3, 1901–1905, ed. John Kelly and Ronald Schuchard (Oxford: Clarendon Press, 1994).
Yeats, W. B., ‘Windlestraws’, Samhain (October 1901).
Zimmermann, Georges Denis, Songs of Irish Rebellion: Irish Political Street Ballads and Rebel Songs, 1780–1900 (Dublin and Portland, OR: Four Courts Press, 2002).