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  • Cited by 17
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    • Publisher:
      Cambridge University Press
      Publication date:
      05 October 2014
      23 October 2014
      ISBN:
      9781139629201
      9781107040649
      9781107612983
      Dimensions:
      (228 x 152 mm)
      Weight & Pages:
      0.64kg, 348 Pages
      Dimensions:
      (229 x 152 mm)
      Weight & Pages:
      0.54kg, 348 Pages
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  • Selected: Digital
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    Book description

    Why is Shakespeare so often associated with information technologies and with the idea of archiving itself? Alan Galey explores this question through the entwined histories of Shakespearean texts and archival technologies over the past four centuries. In chapters dealing with the archive, the book, photography, sound, information, and data, Galey analyzes how Shakespeare became prototypical material for publishing experiments, and new media projects, as well as for theories of archiving and computing. Analyzing examples of the Shakespearean archive from the seventeenth century to today, he takes an original approach to Shakespeare and new media that will be of interest to scholars of the digital humanities, Shakespeare studies, archives, and media history. Rejecting the idea that current forms of computing are the result of technical forces beyond the scope of humanist inquiry, this book instead offers a critical prehistory of digitization read through the afterlives of Shakespeare's texts.

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