Works Published after 1700
Adams, Joseph Quincy Jr., ‘Captaine Thomas Stukeley’, Journal of English and Germanic Philology, 15 (1916), 107–29
Ardolino, Frank R., ‘Robert Greene’s Use of the Lambert Simnell Imposture in Friar Bacon and Friar Bungay’, American Notes and Queries, 20 (1981), 37–9
Armitage, David, Condren, Conal and Fitzmaurice, Andrew, eds., Shakespeare and Early Modern Political Thought (Cambridge: Cambridge University Press, 2009)
Arrell, Douglas H., ‘John a Kent, the Wise Man of Westchester’, Early Theatre, 17.1 (2014), 75–92
Ashton, J. W., ‘“Rymes of … Randolf, Erl of Chestre”’, ELH, 5 (1938), 195–206
Assarsson-Rizzi, Kerstin, ‘Friar Bacon and Friar Bungay’: A Structural and Thematic Analysis of Robert Greene’s Play, Lund Studies in English, 44 (Lund: C. W. K. Gleepup, 1972)
Baldwin, T. W., The Organization and Personnel of the Shakespearean Company (Princeton: Princeton University Press, 1927)
Barber, C. L., Shakespeare’s Festive Comedy: A Study of Dramatic Form and its Relation to Social Custom (Princeton: Princeton University Press, 1959)
Barker, Roberta, ‘Tragical-Comical-Historical Hotspur’, Shakespeare Quarterly, 54 (2003), 288–307
Barroll, J. Leeds, Politics, Plague, and Shakespeare’s Theatre: The Stuart Years (Ithaca: Cornell University Press, 1991)
Barroll, J. Leeds, ‘Shakespeare and the Second Blackfriars Theatre’, Shakespeare Studies, 33 (2005), 156–70
Barroll, J. Leeds, Leggatt, Alexander, Hosley, Richard and Kernan, Alvin, The Revels History of Drama in English, vol. III: 1576–1613 (London: Methuen, 1975)
Bartels, Emily C., and Smith, Emma, eds., Christopher Marlowe in Context (Cambridge: Cambridge University Press, 2013)
Bayer, Mark, Theatre, Community, and Civic Engagement in Jacobean London (Iowa City: University of Iowa Press, 2011)
Beaumont, Francis, The Knight of the Burning Pestle, ed. by Hattaway, Michael (London: Ernest Benn, 1969)
Beckerman, Bernard, Shakespeare at the Globe 1599–1609 (New York: Macmillan, 1962)
Belsey, Catherine, ‘Love in Venice’, Shakespeare Survey, 44 (1992), 41–53
Bentley, G. E., The Profession of Dramatist in Shakespeare’s Time 1590–1642 (Princeton: Princeton University Press, 1971)
Berek, Peter, ‘Tamburlaine’s Weak Sons: Imitation as Interpretation Before 1593’, Renaissance Drama, 13 (1982)
Berry, Edward, ‘Laughing at “Others”’, in The Cambridge Companion to Shakespearean Comedy, ed. by Leggatt, Alexander (Cambridge: Cambridge University Press, 2002), pp. 123–38
Betteridge, Thomas, and Walker, Greg, eds., The Oxford Handbook to Tudor Drama (Oxford: Oxford University Press, 2012)
Bevington, David M., From ‘Mankind’ to Marlowe: Growth of Structure in the Popular Drama of Tudor England (Cambridge, MA.: Harvard University Press, 1962)
Bevington, David M., Tudor Drama and Politics: A Critical Approach to Topical Meaning (Cambridge, MA.: Harvard University Press, 1968)
Black, Joseph L., ed., The Martin Marprelate Tracts: A Modernized and Annotated Edition (Cambridge: Cambridge University Press, 2008)
Bly, Mary, ‘Bawdy Puns and Lustful Virgins: The Legacy of Juliet’s Desire in Comedies of the Early 1600s’, Shakespeare Survey, 49 (1996), 97–100
Bly, Mary, Queer Virgins and Virgin Queans on the Early Modern Stage (Oxford: Oxford University Press, 2000)
Bradbrook, Muriel, The Growth and Structure of Elizabethan Comedy (London: Chatto and Windus, 1955)
Bradbrook, Muriel, Themes and Conventions of Elizabethan Tragedy, 2nd edn (Cambridge: Cambridge University Press, 1980)
Briggs, K. M., The Anatomy of Puck: An Examination of Fairy Beliefs among Shakespeare’s Contemporaries and Successors (London: Routledge and Kegan Paul, 1959)
Brody, Alan, The English Mummers and Their Plays (London: Routledge and Kegan Paul, n. d.)
Brown, Pamela Allen, Better a Shrew than a Sheep: Women, Drama, and the Culture of Jest in Early Modern England (Ithaca: Cornell University Press, 2003)
Brown, John Russell, and Harris, Bernard, eds., Early Shakespeare, Stratford-upon-Avon Studies, 3 (London: Edward Arnold, 1961)
Bruster, Douglas, Drama and the Market in the Age of Shakespeare (Cambridge: Cambridge University Press, 1992)
Bullough, Geoffrey, ed., Narrative and Dramatic Sources of Shakespeare, vol. I: Early Comedies, Poems, ‘Romeo and Juliet’ (London: Routledge and Kegan Paul; New York: Columbia University Press, 1957)
Burton, Dolores M., Shakespeare’s Grammatical Style: A Computer-Assisted Analysis of ‘Richard II’ and ‘Antony and Cleopatra’ (Austin: University of Texas Press, 1973)
Butler, Chris, ‘Religion, Cognition and Author-Function: Dyer, Southwell, Lodge and As You Like It’, unpublished PhD thesis, Sheffield Hallam University, 2013
Calvo, Clara, ‘Thomas Kyd and the Elizabethan Blockbuster: The Spanish Tragedy’, in Hoenselaars, Ton, ed., Shakespeare and Contemporary Dramatists (Cambridge: Cambridge University Press, 2012), pp. 19–33
Campbell, Gordon, Bible: The Story of the King James Version (Oxford: Oxford University Press, 2010)
Candido, Joseph, ‘Captain Thomas Stukeley: The Man, the Theatrical Record, and the Origins of Tudor “Biographical” Drama’, Anglia, 105 (1987), 50–68
Canny, Nicholas, ‘O’Neill, Hugh, Second Earl of Tyrone (c.1550–1616)’, Oxford Dictionary of National Biography (Oxford: Oxford University Press, 2004); online edn, Jan 2008, www.oxforddnb.com/view/article/20775 (accessed 23 August 2015) Carley, James P., ‘Bourchier, John, Second Baron Berners (c.1467–1533)’, Oxford Dictionary of National Biography (Oxford: Oxford University Press, 2004); online edn, www.oxforddnb.com/view/article/2990 (accessed 30 July 2015) Cartelli, Thomas, ‘Marlowe and Shakespeare Revisited’, in Bartels, Emily C. and Smith, Emma, eds., Christopher Marlowe in Context (Cambridge: Cambridge University Press, 2013), pp. 285–95
Cathcart, Charles, ‘Romeo at the Rose in 1598’, Early Theatre, 13 (2010), 149–62
Cerasano, S. P., ‘Alleyn, Edward (1566–1626)’, Oxford Dictionary of National Biography (Oxford: Oxford University Press, 2004); online edn, January 2008, www.oxforddnb.com/view/article/398 (accessed 29 July 2015) Cerasano, S. P., ‘Edward Alleyn, the New Model Actor, and the Rise of the Celebrity in the 1590s’, Medieval and Renaissance Drama in England, 18 (2005), 47–58
Chamberlain, John, The Letters of John Chamberlain, ed. by McClure, Norman Egbert, 2 vols. (Philadelphia: American Philosophical Society, 1939)
Chambers, E. K., The Elizabethan Stage, 4 vols. (Oxford: Clarendon Press, 1923)
Champion, Larry S., ‘“Havoc in the Commonwealth”: Perspective, Political Ideology, and Dramatic Strategy in Sir John Oldcastle and the English Chronicle Plays’, Medieval and Renaissance Drama in England, 5 (1991), 165–79
Chapman, George, An Humorous Day’s Mirth, ed. by Edelman, Charles (Manchester: Manchester University Press, 2010)
Chapman, George, The Plays of George Chapman: The Comedies: A Critical Edition, ed. by Holaday, Allan (Urbana: University of Illinois Press, 1970)
Charney, Maurice, ‘The Voice of Marlowe’s Tamburlaine in Early Shakespeare’, Comparative Drama, 31 (1997), 213–23
Cicero, Marcus Tullius, De senectute, De amicitia, De divinatione, tr. by Falconer, William Armistead (London: Heinemann; New York: Putnam’s Sons, 1923)
Clare, Janet, ‘Art Made Tongue-Tied by Authority’: Elizabethan and Jacobean Dramatic Censorship (Manchester: Manchester University Press, 1990)
Clare, Janet, Shakespeare’s Stage Traffic: Imitation, Borrowing and Competition in Renaissance Theatre (Cambridge: Cambridge University Press, 2014)
Clayton, Tom, Brock, Susan and Forés, Vicente, eds., Shakespeare and the Mediterranean: The Selected Proceedings of the International Shakespeare Association World Congress, Valencia, 2001 (Newark: University of Delaware Press, 2004)
Coghill, Nevill, Shakespeare’s Professional Skills (Cambridge: Cambridge University Press, 1964)
Collins, Arthur, ed., Letters and Memorials of State, 2 vols. (London, 1746)
Collinson, Patrick, The Elizabethan Puritan Movement (London: Jonathan Cape, 1967)
Cook, Ann Jennalie, The Privileged Playgoers of Shakespeare’s London, 1576–1642 (Princeton: Princeton University Press, 1981)
Corbin, Peter, and Sedge, Douglas, eds., The Oldcastle Controversy: ‘Sir John Oldcastle, Part I’ and ‘The Famous Victories of Henry V’ (Manchester: Manchester University Press; New York: St. Martin’s Press, 1991)
Cox, John D., The Devil and the Sacred in English Drama, 1350–1642 (Cambridge: Cambridge University Press, 2000)
Cox, John D., and Kastan, David Scott, eds., A New History of Early English Drama (New York: Columbia University Press, 1997)
Dean, Paul, Friar Bacon and Friar Bungay and John of Bordeaux: A Dramatic Diptych’, English Language Notes, 28 (1980–81), 262–6
Deats, Sara Munson, ‘Mars or Gorgon? Tamburlaine and Henry V’, Marlowe Studies: An Annual, 1 (2011), 99–124
Deats, Sara Munson, and Logan, Robert A., eds., Marlowe’s Empery: Expanding His Critical Contexts (Cranbury, NJ: Associated University Presses, 2002)
Dessen, Alan C., ‘The “Estates” Morality Play’, Studies in Philology, 62 (1965), 121–36
De Vocht, H., ed., A Knack to Know an Honest Man (Oxford: Malone Society, 1910)
Dimmock, Matthew, New Turkes: Dramatizing Islam and the Ottomans in Early Modern England (Aldershot: Ashgate, 2005)
Dorval, Patricia, and Maguin, Jean-Marie, eds., Shakespeare et ses Contemporains (Paris: Société Français Shakespeare, 2002)
Dowd, Michelle M., and Korda, Natasha, eds., Working Subjects in Early Modern English Drama (Farnham: Ashgate, 2011)
Dusinberre, Juliet, ‘Topical Forest: Kemp and Mar-text in Arden’, in Thompson, Ann and McMullen, Gordon, eds., In Arden: Editing Shakespeare: Essays in Honour of Richard Proudfoot (London: Arden Shakespeare, 2003), pp. 239–51
Dutton, Richard, Mastering the Revels: The Regulation and Censorship of English Renaissance Drama (Basingstoke: Macmillan, 1991)
Dutton, Richard, ‘“Methinks the Truth Should Live from Age to Age”: The Dating and Contexts of Henry V ’, Huntington Library Quarterly, 68 (2005), 173–203
Dutton, Richard, ed., The Oxford Handbook of Early Modern Theatre (Oxford: Oxford University Press, 2009)
Dutton, Richard, Findlay, Alison and Wilson, Richard, eds., Theatre and Religion: Lancastrian Shakespeare (Manchester: Manchester University Press, 2003)
Dutton, Richard, and Howard, Jean E., eds., A Companion to Shakespeare’s Works, vol. III: The Comedies (Malden: Blackwell, 2003)
Edelman, Charles, ed., The Stukeley Plays (Manchester: Manchester University Press, 2005)
Edwards, Richard, The Works of Richard Edwards: Politics, Poetry and Performance in Sixteenth-Century England, ed. by King, Ros (Manchester: Manchester University Press, 2001)
Empson, William, Faustus and the Censor: The English Faust-book and Marlowe’s ‘Doctor Faustus’, ed. by Jones, John Henry (Oxford: Blackwell, 1987)
Empson, William, Some Versions of Pastoral: A Study of the Pastoral Form in Literature (London: Chatto and Windus, 1935; repr. Harmondsworth: Peregrine, 1966)
Enos, Carol, ‘Catholic Exiles in Flanders and As You Like It; or, What if You Don’t Like It at All?’, in Dutton, Richard, Findlay, Alison and Wilson, Richard, eds., Theatre and Religion: Lancastrian Shakespeare (Manchester: Manchester University Press, 2003), pp. 130–42
Erickson, Peter, ‘The Order of the Garter, the Cult of Elizabeth, and Class-Gender Tension in The Merry Wives of Windsor’, in Howard, Jean E. and O’Connor, Marion F., eds., Shakespeare Reproduced: The Text in History and Ideology (New York: Macmillan, 1987), pp. 116–40
Ettin, Andrew V., ‘Magic into Art: The Magician’s Renunciation of Magic in English Renaissance Drama’, Texas Studies in Literature and Language, 19 (1977), 268–93
Fehrenbach, R. J., ‘A Pre-1592 English Faust Book and the Date of Marlowe’s Doctor Faustus’, The Library, 2 (2001), 327–35
Fitzpatrick, Tim, Playwright, Space and Place in Early Modern Performance: Shakespeare and Company (Farnham: Ashgate, 2011)
Fleay, Frederick Gard, A Chronicle History of the London Stage 1559–1642 (London: Reeves & Turner, 1890)
Fleck, Andrew, ‘The Origins of Englishmen for My Money’s “Lover in the Basket” Episode in Doesborch’s Lyfe of Virgilius’, Notes and Queries, 57 (2010), 357–9
Forrest, John, The History of Morris Dancing 1458–1750 (Cambridge: James Clark, 1990)
Franssen, Paul, ‘George Chapman’s Learned Drama’, in Hoenselaars, Ton, ed., Shakespeare and Contemporary Dramatists (Cambridge: Cambridge University Press, 2012),pp. 134–48
Freedman, Barbara, ‘Shakespearean Chronology, Ideological Complicity, and Floating Texts: Something is Rotten in Windsor’, Shakespeare Quarterly, 45 (1994), 190–210
Freeman, Arthur, ‘Two Notes on A Knack to Know a Knave’, Notes and Queries, 207 (1962), 326–7
Frye, Northrop, A Natural Perspective: The Development of Shakespearean Comedy and Romance (New York: Columbia University Press, 1965)
Garber, Marjorie, ‘Marlovian Vision/Shakespearean Revision’, Research Opportunities in Renaissance Drama, 22 (1979), 3–9
Gibbons, Brian, Jacobean City Comedy, 2nd edn (London: Methuen, 1980)
Gibson, James M., ‘Shakespeare and the Cobham Controversy: The Oldcastle/Falstaff and Brooke/Broome Revision’, Medieval and Renaissance Drama in England, 25 (2012), 94–132
Grady, Hugh, Shakespeare, Machiavelli, and Montaigne: Power and Subjectivity from ‘Richard II’ to ‘Hamlet’ (Oxford: Oxford University Press, 2002)
Grav, Peter F., Shakespeare and the Economic Imperative: ‘What’s Aught but as’tis Valued?’ (New York: Routledge, 2008)
Green, William, Shakespeare’s Merry Wives of Windsor (Princeton: Princeton University Press, 1962)
Greenblatt, Stephen J., ‘Marlowe, Marx, and Anti-Semitism’, Critical Inquiry, 5 (1978), 291–307
Greene, Robert, Friar Bacon and Friar Bungay, ed. by Lavin, J. A. (London: Ernest Benn, 1969)
Greene, Robert, Friar Bacon and Friar Bungay, ed. by Seltzer, Daniel (London: Edward Arnold, 1964)
Griffin, Benjamin, ‘Marring and Mending: Treacherous Likeness in Two Renaissance Controversies’, Huntington Library Quarterly, 60 (1997), 363–80
Griffith, Eva, A Jacobean Company and its Playhouse: The Queen’s Servants at the Red Bull Theatre (c. 1605–1619) (Cambridge: Cambridge University Press, 2013)
Guenther, Genevieve, ‘Why Devils Came When Faustus Called for Them’, Modern Philology, 109 (2011), 46–70
Gurr, Andrew, ‘Henry Carey’s Peculiar Letter’, Shakespeare Quarterly, 56 (2005), 51–75
Gurr, Andrew, ‘Intertextuality at Windsor’, Shakespeare Quarterly, 38 (1987), 189–200
Gurr, Andrew, Playgoing in Shakespeare’s London, 2nd edn (Cambridge: Cambridge University Press, 1996)
Gurr, Andrew, The Shakespeare Company, 1594–1642 (Cambridge: Cambridge University Press, 2004)
Gurr, Andrew, Shakespeare’s Opposites: The Admiral’s Company 1594–1625 (Cambridge: Cambridge University Press, 2009)
Gurr, Andrew, The Shakespearian Playing Companies (Oxford: Clarendon Press, 1996)
Gurr, Andrew, ‘Three Reluctant Patrons and Early Shakespeare’, Shakespeare Quarterly, 44 (1993), 159–74
Gurr, Andrew, ‘Venues on the Verges: London’s Theater Government between 1594 and 1614’, Shakespeare Quarterly, 61 (2010), 468–89
Gurr, Andrew, ‘Who Strutted and Bellowed?’, Shakespeare Survey, 16 (1963), 95–102
Hackett, Helen, ‘Introduction’, in Shakespeare, William, A Midsummer Night’s Dream, ed. by Wells, Stanley (London: Penguin, 2005), pp. xxi–lxxxvii
Hackett, Helen, ‘A Midsummer Night’s Dream’, in Dutton, Richard and Howard, Jean E., eds., A Companion to Shakespeare’s Works, vol. III: The Comedies (Malden: Blackwell, 2003), pp. 338–57
Hamilton, Donna B., Anthony Munday and the Catholics, 1580–1633 (Aldershot: Ashgate, 2005)
Hamilton, Donna B., and Strier, Richard, eds., Religion, Literature, and Politics in Post-Reformation England, 1540–1688 (Cambridge: Cambridge University Press, 1996)
Hammer, Paul E. J., ‘Devereux, Robert, Second Earl of Essex (1565–1601)’, Oxford Dictionary of National Biography (Oxford: Oxford University Press, 2004); online edn, Oct 2008 www.oxforddnb.com/view/article/7565 (accessed 23 August 2015) Hanabusa, Chiaki, ed., The Famous Victories of Henry the Fifth (Oxford: Malone Society, 2007)
Harbage, Alfred, Shakespeare and the Rival Traditions (New York: Macmillan, 1952)
Hattaway, Michael, Elizabethan Popular Theatre: Plays in Performance (London: Routledge and Kegan Paul, 1982)
Hawkes, Terence, ed., Alternative Shakespeares Vol. II (London: Routledge, 1996)
Haynes, Jonathan, The Social Relations of Jonson’s Theater (Cambridge: Cambridge University Press, 1992)
Helgerson, Richard, Adulterous Alliances: Home, State, and History in Early Modern European Drama and Painting (Chicago: University of Chicago Press, 2000)
Helgerson, Richard, Forms of Nationhood: The Elizabethan Writing of England (Chicago: University of Chicago Press, 1992)
Henslowe, Philip, Henslowe’s Diary, ed. by Foakes, R. A. [and Rickert, R. T.], 2nd edn (Cambridge: Cambridge University Press, 2002)
Henslowe, Philip, Henslowe’s Diary, ed. by Greg, W. W., 2 vols. (London: A. H. Bullen, 1904–8)
Heywood, Thomas, ‘Oenone and Paris’ by T. H.: Reprinted from the Unique Copy in the Folger Shakespeare Library, ed. by Adams, Joseph Quincy (Washington DC: Folger Shakespeare Library, 1943)
Heywood, Thomas, A Woman Killed With Kindness, ed. by Scobie, Brian (London: A. & C. Black, 1985)
Highley, Christopher, ‘Shakespeare, Spenser, and the Crisis in Ireland’, Cambridge Studies in Renaissance Literature and Culture, 23 (Cambridge: Cambridge University Press, 1997)
Hodgdon, Barbara, The End Crowns All: Closure and Contradiction in Shakespeare’s History (Princeton: Princeton University Press, 1991)
Hoenselaars, A. J., Images of Englishmen and Foreigners in the Drama of Shakespeare and His Contemporaries: A Study of Stage Characters and National Identity in English Renaissance Drama (Rutherford, NJ: Fairleigh Dickinson University Press; London: Associated University Presses, 1992)
Hoenselaars, A. J., ed., Shakespeare and Contemporary Dramatists (Cambridge: Cambridge University Press, 2012)
Holbrook, Peter, ‘Shakespeare, Class, and the Comedies’, in Dutton, Richard and Howard, Jean E., eds., A Companion to Shakespeare’s Works, vol. III: The Comedies (Malden, MA: Blackwell, 2003), pp. 67–89
Holderness, Graham, Shakespeare’s History (Dublin: Gill and Macmillan; New York: St. Martin’s Press, 1985)
Holderness, Graham, Shakespeare: The Histories (London: Macmillan, 2000)
Holmes, Peter, ‘Stucley, Thomas (c.1520–1578)’, Oxford Dictionary of National Biography (Oxford: Oxford University Press, 2004); online edn www.oxforddnb.com/view/article/26741 (accessed 23 August 2015) Holt, J. C., Robin Hood, rev. edn (London: Thames & Hudson, 1989)
Honigmann, E. A. J., ‘John a Kent and Marprelate’, Yearbook of English Studies, 13 (1983), 288–93
Honigmann, E. A. J., ‘Shakespeare’s “Lost Source-Plays”’, Modern Language Review, 49 (1954), 293–307
Honigmann, E. A. J., ed., Shakespeare and His Contemporaries: Essays in Comparison (Manchester: Manchester University Press, 1986)
Hotson, Leslie, Shakespeare Versus Shallow (London: Nonesuch Press, 1931), pp. 111–22
Howard, Jean E., ‘Gender on the Periphery’, in Clayton, Tom, Brock, Susan and Forés, Vincente, eds., Shakespeare and the Mediterranean: The Selected Proceedings of the International Shakespeare Association World Congress, Valencia, 2001 (Newark: University of Delaware Press, 2004), pp. 344–62
Howard, Jean E, Theater of a City: The Places of London Comedy, 1598–1642 (Philadelphia: University of Pennsylvania Press, 2007)
Howard, Jean E, and O’Connor, Marion F., eds., Shakespeare Reproduced: The Text in History and Ideology (New York: Macmillan, 1987)
Howard, Jean E, and Rackin, Phyllis, Engendering a Nation: A Feminist Account of Shakespeare’s English Histories (London: Routledge, 1997)
Howard, Jean E, and Shershow, Scott Cutler, eds., Marxist Shakespeares (London: Routledge, 2001),
Hunter, George K., ‘Bourgeois Comedy: Shakespeare and Dekker’ in Honigmann, E. A. J., ed., Shakespeare and His Contemporaries: Essays in Comparison (Manchester: Manchester University Press, 1986), pp. 1–15
Hunter, George K., English Drama 1586–1642: The Age of Shakespeare, Oxford History of English Literature, vol. VI (Oxford: Clarendon Press, 1997)
Hunter, George K., ‘Henry IV and the Elizabethan Two-Part Play’, Review of English Studies, n.s., 5 (1954), 236–48
Hunter, George K., John Lyly: The Humanist as Courtier (London: Routledge and Kegan Paul, 1962)
Hutson, Lorna, The Usurer’s Daughter: Male Friendship and Fictions of Women in Seventeenth-Century England (London: Routledge, 1994)
Hyland, Peter, Disguise on the Early Modern English Stage (Farnham: Ashgate, 2011)
Ioppolo, Grace, Dramatists and Their Manuscripts in the Age of Shakespeare, Jonson, Middleton and Heywood: Authorship, Authority and the Playhouse (Abingdon: Routledge, 2006)
Jackson, MacDonald P., ‘Deciphering a Date and Determining a Date: Anthony Munday’s John a Kent and John a Cumber and the Original Version of Sir Thomas More’, Early Modern Literary Studies, 15.3 (2011); https://extra.shu.ac.uk/emls/15-3/jackdate.htm. Jensen, Phebe, Religion and Festivity in Shakespeare’s Festive World (Cambridge: Cambridge University Press, 2008)
Johnston, Alexandra F., ‘The Robin Hood of the Records’, in Potter, Lois, ed., Playing Robin Hood: The Legend as Performance in Five Centuries (Newark: University of Delaware Press; London: Associated University Presses, 1998), pp. 27–44
Johnston, Dafydd, ‘Siôn Cent [John Kent] ( fl. 1400–1430)’, Oxford Dictionary of National Biography (Oxford: Oxford University Press, 2004); online edn www.oxforddnb.com/view/article/15419 (accessed 30 July 2015) Jones, Emrys, Scenic Form in Shakespeare (Oxford: Clarendon Press, 1971)
Jones, John Henry, ed., The English Faust Book: A Critical Edition Based on the Text of 1592 (Cambridge: Cambridge University Press, 1994)
Jowitt, Claire, Voyage Drama and Gender Politics 1589–1642: Real and Imagined Worlds (Manchester: Manchester University Press, 2003)
Kastan, David Scott, ‘“The King Hath Many Marching in His Coats,” or, What Did You Do in the War, Daddy?’, in Kamps, Ivo, ed., Shakespeare, Left and Right (New York: Routledge, 1991), pp. 241–58
Kenny, Robert W., Elizabeth’s Admiral: The Political Career of Charles Howard Earl of Nottingham 1536–1624 (Baltimore: Johns Hopkins Press, 1970)
Kermode, Lloyd Edward, ‘After Shylock: The “Judaiser” in England’, Renaissance and Reformation, 20.4 (1996), 5–26
Kermode, Lloyd Edward, ed., Three Renaissance Usury Plays (Manchester: Manchester University Press, 2009)
Kermode, Lloyd Edward, Scott-Warren, Jason and van Elk, Martine, eds., Tudor Drama Before Shakespeare, 1485–1590: New Directions for Research, Criticism, and Pedagogy (Basingstoke: Palgrave Macmillan, 2004)
Kingsley-Smith, Jane, Shakespeare’s Drama of Exile (Basingstoke: Palgrave Macmillan, 2003)
Kinney, Arthur F., ‘Textual Signs in The Merry Wives of Windsor’, Yearbook of English Studies, 23 (1993), 206–34
Knight, Stephen, ed., Robin Hood: An Anthology of Scholarship and Criticism (Cambridge: D. S. Brewer, 1999)
Knutson, Roslyn L., ‘Marlowe Reruns: Repertorial Commerce and Marlowe’s Plays in Revival’, in Deats, Sara Munson and Logan, Robert A., eds., Marlowe’s Empery: Expanding His Critical Contexts (Cranbury, NJ: Associated University Presses, 2002), pp. 25–42
Knutson, Roslyn, ‘Play Identifications: The Wise Man of West Chester and John a Kent and John a Cumber; Longshanks and Edward I ’, Huntington Library Quarterly, 47 (1984), 1–11
Knutson, Roslyn, Playing Companies and Commerce in Shakespeare’s Time (Cambridge: Cambridge University Press, 2001)
Knutson, Roslyn, The Repertory of Shakespeare’s Company 1594–1613 (Fayetteville: University of Arkansas Press, 1991)
Knutson, Roslyn, ‘The Start of Something Big’, in Ostovich, Helen, Syme, Holger Schott and Griffin, Andrew, eds., Locating the Queen’s Men, 1583–1603: Material Practices and Conditions of Playing (Aldershot: Ashgate, 2009), pp. 99–108
Knutson, Roslyn, ‘Strength Training for Tamburlaine’s Weak Sons Through Repertorial Commerce’, unpublished paper, Modern Language Association annual convention (2011)
Knutson, Roslyn, ‘What’s So Special about 1594?’, Shakespeare Quarterly, 61 (2010), 449–67
Kocher, Paul H., ‘The English Faust Book and the Date of Marlowe’s Faustus’, Modern Language Notes, 55 (1940), 95–101
Korda, Natasha, ‘“Judicious Oeillades”: Supervising Marital Property in The Merry Wives of Windsor’, in Howard, Jean E. and Shershow, Scott Cutler, eds., Marxist Shakespeares (London: Routledge, 2001), pp. 82–103
Kyd, Thomas, The Spanish Tragedy, ed. by Mulryne, J. R., 2nd edn (London: A & C Black; New York: Norton, 1989)
Lamb, Mary Ellen, The Popular Culture of Shakespeare, Spenser, and Jonson (London: Routledge, 2006)
Lamb, Mary Ellen, ‘Taken by the Fairies: Fairy Practices and the Production of Popular Culture in A Midsummer Night’s Dream’, Shakespeare Quarterly, 51 (2000), 277–312
Laroque, François, Shakespeare’s Festive World: Elizabethan Seasonal Entertainment and the Professional Stage (Cambridge: Cambridge University Press, 1991)
Leather, Ella Mary, The Folk-lore of Herefordshire Collected from Oral and Printed Sources (Hereford: Jakeman and Carver; London: Sidgwick & Jackson, 1912; repr. Hereford: Lapridge Publications, 1992)
Leggatt, Alexander, Citizen Comedy in the Age of Shakespeare (Toronto: University of Toronto Press, 1973)
Leggatt, Alexander, An Introduction to English Renaissance Comedy (Manchester: Manchester University Press, 1999)
Leinwand, Theodore B., ‘Shakespeare and the Middling Sort’, Shakespeare Quarterly, 44 (1993), 184–303
Levinson, Judith C., ed., The Famous History of Captain Thomas Stukeley (Oxford: Malone Society, 1975)
Lewalski, Barbara K., ‘Biblical Allusion and Allegory in The Merchant of Venice’, Shakespeare Quarterly, 13 (1962), 327–43
Logan, Robert A., Shakespeare’s Marlowe: The Influence of Christopher Marlowe on Shakespeare’s Artistry (Farnham: Ashgate, 2007)
Lopez, Jeremy, Theatrical Convention and Audience Response in Early Modern Drama (Cambridge: Cambridge University Press, 2003)
Lunney, Ruth, Marlowe and the Popular Tradition: Innovation in the English Drama before 1595 (Manchester: Manchester University Press, 2002)
MacFaul, Tom, Male Friendship in Shakespeare and his Contemporaries (Cambridge: Cambridge University Press, 2007)
MacLure, Millar, ed., Marlowe: The Critical Heritage 1588–1896 (London: Routledge and Kegan Paul, 1979)
Maguire, Laurie, Shakespeare’s Names (Oxford: Oxford University Press, 2007)
Manley, Lawrence, and MacLean, Sally-Beth, Lord Strange’s Men and Their Plays (New Haven: Yale University Press, 2014)
Marcus, Leah S., ‘Levelling Shakespeare: Local Customs and Local Texts’, Shakespeare Quarterly, 42 (1991), 168–78
Marino, James, Owning William Shakespeare: The King’s Men and Their Intellectual Property (Philadelphia: University of Pennsylvania Press, 2011)
Marlowe, Christopher, The Complete Poems and Translations, ed. by Orgel, Stephen, 2nd edn (London: Penguin, 2007)
Marlowe, Christopher, ‘Dido Queen of Carthage’ and ‘The Massacre at Paris’, ed. by Oliver, H. J. (London: Methuen, 1968)
Marlowe, Christopher, Doctor Faustus 1604–1616: Parallel Texts, ed. by Greg, W. W. (Oxford: Clarendon Press, 1950)
Marlowe, Christopher, Doctor Faustus: A- and B-texts (1604, 1616), ed. by Bevington, David and Rasmussen, Eric (Manchester: Manchester University Press, 1993)
Marlowe, Christopher, The Jew of Malta, ed. by Bawcutt, N. W. (Manchester: Manchester University Press, 1978)
Marlowe, Christopher, Tamburlaine the Great, ed. by Cunningham, J. S. (Manchester: Manchester University Press, 1981)
Marotti, Arthur F., ‘Shakespeare and Catholicism’, in Dutton, Richard, Findlay, Alison and Wilson, Richard, eds., Theatre and Religion: Lancastrian Shakespeare (Manchester: Manchester University Press, 2003), pp. 218–41
Marx, Stephen, Shakespeare and the Bible (Oxford: Oxford University Press, 2000)
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