The Cambridge Companion to American Studies - Series page

pp iii-iv

The Cambridge Companion to Alfred Hitchcock - Title page

pp v-v

Copyright page

pp vi-vi

Contents

pp vii-viii

Illustrations

pp ix-x

Notes on Contributors

pp xi-xiv

Acknowledgments

pp xv-xvi

Chronology

pp xvii-xx

Guide to Further Reading

pp xxi-xxiv

Filmography: Hitchcock’s American Films

pp xxv-xxviii

Introduction

pp 1-22

Part I - Hitchcock Encounters America, America Encounters Hitchcock: Roots and Offshoots

pp 23-106

1 - Hitchcock and the Studio System

pp 25-39

2 - Creating the Brand

pp 40-56

3 - Hitchcock on Location

pp 57-75

4 - Hitchcock, Class, and Noir

pp 76-91

5 - American Civilization and Its Discontents

pp 92-106

Part II - Hitchcock: Sexualities, Genders, Theories

pp 107-158

6 - Alfred Hitchcock and Feminist Film Theory (Yet Again)

pp 109-126

7 - Hitchcock and Queer Sexuality

pp 127-142

8 - Mrs. Bates’s Smile

pp 143-158

Part III - Hitchcock’s American Films: Some Case Studies in Form and Content

pp 159-228

9 - Expedient Exaggeration and the Scale of Cold War Farce in North by Northwest

pp 161-179

10 - Looking Up

pp 180-193

11 - Blood, Paint, or Red?

pp 194-206

12 - Live Nude Hitchcock

pp 207-228

Part IV - Hitchcock Beyond Hitchcock

pp 229-250

13 - The School of Hitchcock

pp 231-250

Index

pp 251-259