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  3. Samuel Richardson and the Art of Letter-Writing
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    • Publisher:
      Cambridge University Press
      Publication date:
      05 March 2016
      17 March 2016
      ISBN:
      9781316443330
      9781107131514
      9781107579385
      DOI:
      https://doi.org/10.1017/CBO9781316443330
      Dimensions:
      (228 x 152 mm)
      Weight & Pages:
      0.59kg, 282 Pages
      Dimensions:
      (229 x 152 mm)
      Weight & Pages:
      0.42kg, 284 Pages
      • Subjects:
      Literature, English Literature 1700-1830
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    Subjects:
    Literature, English Literature 1700-1830
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    Book description

    This fascinating study examines Samuel Richardson's letters as important works of authorial self-fashioning. It analyses the development of his epistolary style; the links between his own letter-writing practice and that of his fictional protagonists; how his correspondence is highly conscious of the spectrum of publicity; and how he constructed his letter collections to form an epistolary archive for posterity. Looking backwards to earlier epistolary traditions, and forwards, to the emergence of the lives-in-letters mode of biography, the book places Richardson's correspondence in a historical continuum. It explores how the eighteenth century witnesses a transition, from a period in which an author would rarely preserve personal papers to a society in which the personal lives of writers become privileged as markers of authenticity in the expanded print market. It argues that Richardson's letters are shaped by this shifting relationship between correspondence and publicity in the mid-eighteenth century.

    Reviews

    'Louise Curran’s Samuel Richardson and the Art of Letter-Writing is a detailed and perceptive examination of Richardson’s extensive private correspondence. In this engaging study, such correspondence is invested with its long overdue critical significance … Astute and persuasive throughout, Curran’s book is a striking addition to Richardson scholarship and to studies of ‘the great age of letter-writing’ more generally … Such an uncompromising dedication to these obscure texts has not been seen perhaps in Richardson scholarship since Thomas Keymer’s seminal Richardson’s ‘Clarissa’ and the Eighteenth-Century Reader (1992); placing Curran’s book, quite deservedly, in erudite company.'

    Rachel Sulich Source: The BARS Review

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