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Figures

Published online by Cambridge University Press:  08 June 2023

Jeffrey L. Kallen
Jeffrey L. Kallen
Affiliation:
Trinity College, Dublin

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Type
Chapter
Information
Linguistic Landscapes
A Sociolinguistic Approach
 , pp. viii - xi
Publisher: Cambridge University Press
Print publication year: 2023

Figures

Figures are listed giving their title and location. Composite photographs have subdivisions labelled A, B, C, and so forth, designated from left-to-right and from the top downwards.

  1. 1.1Welcoming neighbours (Astoria, 2017)

  2. 1.2Not all signs are in the LL (Arlington, 2016)

  3. 1.3Cross-border train notices – Basle–Cologne (2018); New York–Montreal (2017); Dublin–Belfast (2014)

  4. 1.4Playing with codes (DCA airport, 2016)

  5. 1.5Crossing the boundaries of writing systems (Brighton, 2016)

  6. 1.6Public notice, language conflict (Warrenpoint, 2014; Belfast, 2007)

  7. 1.7Street name plaques (Kilkeel, Rostrevor, Grey Abbey, 2014)

  8. 1.8Regulating space – The Sitootery (Belfast), Rue barrée (Montreal), (2017)

  9. 1.9Foreigners graffiti (Dublin, 2016, 2017)

  10. 1.10Signs of protest – Cosecha march (Albany, 2017)

  11. 1.11The D Walls (Dublin, 2018)

  12. 1.12Latin inscription 1615 (Galway, 2019)

  13. 1.13Updating the Victorian postbox (Galway, 2019)

  14. 1.14Stolpersteine (Michelstadt, 2018; Strasbourg, 2019)

  15. 3.1Health warnings (Dublin, 2017; Bern, 2018; Montreal, 2017)

  16. 3.2Recognising codes (Liverpool, 2017; DCA airport, 2015)

  17. 3.3Balancing code and message (Haifa, 1995)

  18. 3.4Bus notice (Charlotte, 2016)

  19. 3.5Transliteration versus translation (Liverpool, 2017; Dublin, 2018, 2019)

  20. 3.6Asymmetric messages: Yin Wall City (Chicago, 2017)

  21. 3.7Intertextuality and the G & R (Champaign, 2017)

  22. 3.8Central plains restaurant/Hard Wok Café (Liverpool, 2017)

  23. 3.9Indexical French (Fukuoka, 2007; Newry, 2014; Michelstadt, 2019)

  24. 3.10Interlanguaging in the Tuin 10 menu (Amsterdam, 2014)

  25. 3.11Hair Make Riche (Fukuoka, 2007)

  26. 3.12Mixed messages (Chicago, 2017; Montreal, 2017; Strasbourg, 2019)

  27. 3.13Translanguage scriptography (Champaign, 2017; Rosh Pina, 2019; Brighton, 2018)

  28. 3.14Respellings for effect (Galway, 2014; Norton, 2016; Albany, 2017)

  29. 3.15Playing with homophones (Newry, 2014; Vienna, 2018)

  30. 3.16Incorporating images (Fukuoka, 2007; Michelstadt, 2019; Berkeley, 2015; Brighton, 2018)

  31. 4.1Language and space on the New York–Montreal train (2017)

  32. 4.2Regulating social space (Fukuoka, 2007)

  33. 4.3Dominating the street view – Sammy’s Kitchen Ltd. (Hong Kong, 2014)

  34. 4.4Discontinuity in a Look Up installation (Dublin, 2017)

  35. 4.5Inversions in visual placement (Chicago, 2017; Beijing, 2019)

  36. 4.6Materials and messages (Galway, 2014; Astoria, 2017)

  37. 4.7Hereness (Dublin, 2014; London, 2019)

  38. 4.8Irish border crossing (2012, 2013, 2019, 2014)

  39. 4.9Marking Chinatown (Chicago, 2017)

  40. 4.10Maps in Fukuoka (2007) and Dundalk (2012)

  41. 4.11Diversity and space (Strasbourg, 2019; Oak Park, 2017)

  42. 4.12Metonyms of spatial reference (Astoria, 2017)

  43. 4.13Local and remote reference (Liverpool, 2017; Bangor, 2005)

  44. 4.14Remote spatial reference (Chicago, 2017; Astoria, 2017)

  45. 4.15Land’s edge (St. John’s, 1999)

  46. 4.16Fragmentary heterotopias (Erbach, 2007; Astoria, 2017)

  47. 4.17Imaginary spaces (Fukuoka, 2007; London, 2019; Dublin, 2014)

  48. 4.18Lamp post stickers (Galway, 2017; Michelstadt, 2019; Champaign, 2017)

  49. 5.1Code choices appeal to audiences (Chicago, 2017; Astoria, 2017)

  50. 5.2Names in graffiti (Dublin, 2017)

  51. 5.3Irish Sign Language (Dublin, 2013) and Travellers Cant (Dublin, 2018)

  52. 5.4Local phrases (Brighton, 2006; Dublin, 2019, 2017; Kilkenny, 2016)

  53. 5.5Personal code choices (Galway, 2011; Dublin, 2016; Annapolis, 2014; Galway, 2005)

  54. 5.6Enregistering the distant (Astoria, 2017; Belfast, 2017; Annapolis, 2014)

  55. 5.7Remote and local graffiti (Dublin, 2017; Brighton, 2017; Dublin, 2016)

  56. 5.8Contrasting LL units in Kilkeel (2014) and Warrenpoint (2012)

  57. 5.9Indexing Greekness (Astoria, 2017)

  58. 5.10Indexing Greekness in Greektown (Chicago, 2017)

  59. 5.11The local and the global (Galway, 2014; Michelstadt, 2019)

  60. 5.12Irish American in Liverpool (Liverpool, 2017)

  61. 5.13The multinational becomes local (Dublin, 2015; Fukuoka, 2007)

  62. 6.1Viewing the Claddagh Laundrette (Galway, 2005)

  63. 6.2Discourse on the ‘Lennon Wall’ (London, 2019)

  64. 6.3Vernacular style and register (Chicago, 2017)

  65. 6.4Dialogues (Dublin, 2018; Fredericksburg, 2013)

  66. 6.5The Maxim of Quantity at work (Astoria, 2017; Annapolis, 2014)

  67. 6.6Flouting maxims (Michelstadt, 2018; Champaign, 2017; Chicago, 2017; Dublin, 2021)

  68. 6.7Framing Gnó trí Ghaeilge (Dublin, 2018)

  69. 6.8Fairview Strand, conflicting names (Dublin, 2021)

  70. 6.9Street name plaque diversity (Dublin, 2019; Strasbourg, 2019; Chicago, 2017; Vienna, 2018)

  71. 6.10High Street (Hong Kong, 2014); St. Mary’s Avenue (Galway, 2019)

  72. 6.11Adapting generic features (Armagh, 2012; Brighton, 2016)

  73. 6.12Dog cleanup discourse (Astoria, 2017; Warrenpoint, 2012; Kilkenny, 2016; Dublin, 2020, 2015, 2020)

  74. 6.13Overseas Irish pubs (Woodside, Montreal, Vienna, Chicago, Liverpool, 2017)

  75. 6.14Multiple discourses in a Belfast Street view (2019)

  76. 6.15Disentangling discourses in Belfast (2019)

  77. 7.1Milestone aggregate (Dublin, 2021)

  78. 7.2Ghost signs (Montreal, 2017; Amsterdam, 2006)

  79. 7.3Ghosts and remnants (Jonesborough, 2018; Astoria, 2017)

  80. 7.4Layering in the Montreal LL (Montreal, 2017)

  81. 7.5Remembering Maxwell Street (Chicago, 2017)

  82. 7.6Great War memorial (Fränkisch-Crumbach, 2018)

  83. 7.7Repurposing ogham (Dublin, 2017)

  84. 7.8Nostalgia Chez Tante Liesel (Strasbourg, 2019)

  85. 7.9Historical assemblage: ‘Do you know the Five Lamps?’ (Dublin, 2017, 2021)

  86. 7.10Forgotten but not gone (Dublin, 2017)

  87. 8.1Catching up with van graffiti (Dublin, 2020)

  88. 8.2Cropping a ghost sign photo (Coeburn, 2016)

  89. 8.3Main Street (Grey Abbey, 2014; Carrickmacross, 2012; Bangor, 2012)

  90. 8.4Adjacency of the local and the global (Galway, 2005)

  91. 8.5Building a neighbourhood with signs (Montreal, 2017)

  92. 8.6Aggregate effects (Astoria, 2017)

  93. 8.7The dialogue effect – Royal Mail and street name plaque (Newry, 2014)

  94. 8.8The palimpsest effect (Dublin, 2017, 2020)

  95. 8.9Former synagogue (Fränkisch-Crumbach, 2019)

  96. 8.10Putting the photographer in the picture (Wexford, 2020)

  97. 8.11Internet language displays (Reddit, Tumblr, 2021)

  98. 8.12Bill posting station (Dublin)

  99. 8.13Great Brunswick Street (Dublin, ca. 1904)

  100. 8.14Nichols’ the undertaker’s (Dublin, 2016)

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