Cambridge Studies in Law and Society - Series page

pp ii-ii

Insiders, Outsiders, Injuries, & Law - Title page

pp iii-iii

Copyright page

pp iv-iv

Contents

pp v-vi

Notes on the Contributors

pp vii-xii

Acknowledgments

pp xiii-xiv

Part I - Introduction and Contextualization

pp 1-68

1 - Insiders, Outsiders, Injuries, and Law

pp 3-7

2 - The Oven Bird’s Song: Insiders, Outsiders, and Personal Injuries in an American Community*

pp 8-37

3 - Emulating Sherlock Holmes: The Dog That Didn’t Bark, the Victim Who Didn’t Sue, and Other Contradictions of the “Hyper-Litigious” Society

pp 38-55

4 - Karl’s Law School, or The Oven Bird in Buffalo

pp 56-68

Part II - The Oven Bird’s Insights into the Legal System and Legal Process

pp 69-120

5 - Challenging Legal Consciousness

pp 71-81

6 - Client Selection

pp 82-97

7 - Do Jurors Hear the Oven Bird’s Song?

pp 98-112

8 - Having a Right but Using It Too: “The Oven Bird’s Song” about Contracts

pp 113-120

Part III - Insiders, Outsiders, Class Conflict, and Difference

pp 121-216

9 - Indigenous Litigiousness

pp 123-138

10 - Listening for the Songs of Others

pp 139-160

11 - Racing the Oven Bird

pp 161-180

12 - Irresponsible Matter

pp 181-198

13 - Student Perceptions of (Their) Place in Relationship to “The Oven Bird’s Song”

pp 199-216

Part IV - Conflict and Law in Other Cultures

pp 217-276

14 - The Songs of Other Birds

pp 219-236

15 - Imagined Community and Litigation Behavior

pp 237-261

16 - Can “The Oven Bird” Migrate North of the Border?

pp 262-276

Part V - Afterword

pp 277-294

17 - Looking Backward, Looking Forward

pp 279-294

Index

pp 295-295