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A letter to the hero in Daniel Deronda offers an interpretation of George Eliot’s novel, an account of its rhetorical principles: the Deronda plot discloses not the “effects of causes” but the “present causes of past effects.” This metaleptic plot structure contradicts the linking of origin, cause, and identity affirmed in the story of Deronda’s Jewish birth. The story must shift between constative and performative conceptions of language and must finally invoke the notion of an actual, nonlinguistic fact or act. The relevant referent is Deronda’s circumcision, which the novel must occlude; otherwise the story of discovering identity could not unfold. The scandal of this referent is its status as an exemplary signifier, alluding to the divine pact with Abraham, a story of the institution of signification. Circumcision is an emblem of the novel’s allusive or citational mode: the narrative makes its starting point, not a subject, but a rhetorical operation.
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