Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
  1. Home
  2. Search

Refine search

Refine search

Access:
Content type:
Publication date:
Apply   From and To filters
Subject: Show more
Journals Show more
Publishers: Show more
Societies Show more
Series: Show more
Collections: Show more

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
Cancel
×

1312 results

Page 1 of 66

The Works of John Ruskin
  • Volume 28, Fors Clavigera IV-VI
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    05 July 2015
    Print publication:
    18 February 2010
    First published in:
    1903
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. Volume 28, in two parts, contains the fourth, fifth and sixth volumes of Fors Clavigera.

The Works of John Ruskin
  • Volume 27, Fors Clavigera I-III
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    05 July 2015
    Print publication:
    18 February 2010
    First published in:
    1907
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays – almost all highly illustrated – are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' – extracts from letters, articles and reminiscences both by and about Ruskin. Volume 27, in two parts, contains the first three volumes of Fors Clavigera.

The Works of John Ruskin
  • Volume 35, Praeterita and Dilecta
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    05 July 2015
    Print publication:
    18 February 2010
    First published in:
    1908
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays – almost all highly illustrated – are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' – extracts from letters, articles and reminiscences by and about Ruskin. This thirty-fifth volume, in two parts, contains Praeterita, Ruskin's autobiography, and Dilecta, his own published selection of his letters.

The Works of John Ruskin
  • Volume 18, Sesame and Lilies
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    05 June 2015
    Print publication:
    18 February 2010
    First published in:
    1905
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This eighteenth volume contains Ruskin's writings on the nature of society, including Sesame and Lilies.

The Works of John Ruskin
  • Volume 34, The Storm-Cloud of the Nineteenth Century
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    05 February 2015
    Print publication:
    18 February 2010
    First published in:
    1908
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This thirty-fourth volume contains essays and lectures including 'The Storm-Cloud of the Nineteenth Century'.

The Works of John Ruskin
  • Volume 14, Academy Notes
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    05 February 2015
    Print publication:
    18 February 2010
    First published in:
    1904
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This fourteenth volume contains Ruskin's 'Academy Notes' and other writings on painting and painters.

The Works of John Ruskin
  • Volume 39, General Index
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    05 June 2014
    Print publication:
    18 February 2010
    First published in:
    1912
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This thirty-ninth and final volume contains the index to the entire edition.

The Works of John Ruskin

The Works of John Ruskin

The Works of John Ruskin

The Works of John Ruskin
  • Volume 4, Modern Painters II
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    05 September 2013
    Print publication:
    18 February 2010
    First published in:
    1903
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This fourth volume contains volume 2 of Modern Painters.

The Works of John Ruskin
  • Volume 13, Turner; the Harbours of England
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    05 April 2012
    Print publication:
    18 February 2010
    First published in:
    1904
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This thirteenth volume contains The Harbours of England and other writings on Turner.

The Works of John Ruskin
  • Volume 24, Giotto and His Works in Padua; The Cavalli Monuments; Guide to the Academy, Venice; St Mark’s Rest
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    05 April 2012
    Print publication:
    18 February 2010
    First published in:
    1906
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This twenty-fourth volume contains writings on Italian art, including 'St Mark's Rest' and 'St Mark's, Venice'.

The Works of John Ruskin
  • Volume 32, Studies of Peasant Life
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    05 April 2012
    Print publication:
    18 February 2010
    First published in:
    1903
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This thirty-second volume contains 'Studies of Peasant Life'.

The Works of John Ruskin
  • Volume 33, The Bible of Amiens; Valle Crucis; The Art of England
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    05 April 2012
    Print publication:
    18 February 2010
    First published in:
    1908
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This thirty-third volume contains essays and lectures on art and architecture, including 'The Bible of Amiens'.

The Works of John Ruskin
  • Volume 15, The Elements of Drawing and The Laws of Fésole
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    05 March 2012
    Print publication:
    18 February 2010
    First published in:
    1904
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This fifteenth volume contains Ruskin's guides to drawing and perspective.

The Works of John Ruskin
  • Volume 26, Deucalion
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    05 March 2012
    Print publication:
    18 February 2010
    First published in:
    1906
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This twenty-sixth volume contains Ruskin's writings on geology, including Deucalion.

The Life of John Ruskin
  • Volume 1, 1819–1860
  • Edward Tyas Cook
  • Published online:
    05 March 2012
    Print publication:
    01 April 2010
    First published in:
    1911
  • In 1911, the New York Times alerted its readers to the forthcoming 'authoritative' biography of Ruskin with the words 'out of a life's devotion to Ruskin and the Herculean task of editing the definitive Ruskin, Mr E. T. Cook is to give us a definitive Ruskin biography also. It will have the authority of a brilliant Oxford scholar, combined with the charm and lightness of a style which makes Mr Cook one of the first of English journalists'. Cook had been given complete access to Ruskin's diaries, notebooks and letters by his literary executors, and Ruskin's family and friends co-operated fully with him. His depth of knowledge of, and sympathy for, his subject make Cook's biography a vital tool for anyone wishing to understand Ruskin's extraordinary achievements in so many fields. Volume 1 covers the period to 1860, the year in which the final volume of Modern Painters was published.

The Works of John Ruskin
  • Volume 10, The Stones of Venice II
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    05 November 2011
    Print publication:
    18 February 2010
    First published in:
    1904
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This tenth volume contains Volume 2 of The Stones of Venice.

The Works of John Ruskin
  • Volume 12, Lectures on Architecture and Painting
  • John Ruskin
  • Edited by Edward Tyas Cook, Alexander Wedderburn
  • Published online:
    05 November 2011
    Print publication:
    18 February 2010
    First published in:
    1903
  • The influence of John Ruskin (1819–1900), both on his own time and on artistic and social developments in the twentieth century, cannot be over-stated. He changed Victorian perceptions of art, and was the main influence behind 'Gothic revival' architecture. As a social critic, he argued for the improvement of the condition of the poor, and against the increasing mechanisation of work in factories, which he believed was dull and soul-destroying. The thirty-nine volumes of the Library Edition of his works, published between 1903 and 1912, are themselves a remarkable achievement, in which his books and essays - almost all highly illustrated - are given a biographical and critical context in extended introductory essays and in the 'Minor Ruskiniana' - extracts from letters, articles and reminiscences both by and about Ruskin. This twelfth volume contains Ruskin's lectures on architecture and painting.

Page 1 of 66