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Page 1 of 11

The Works of John Hunter, F.R.S.
  • With Notes
  • Volume 1
  • John Hunter, Drewry Ottley
  • Edited by James F. Palmer
  • Published online:
    05 September 2015
    Print publication:
    26 March 2015
    First published in:
    1835
  • The surgeon and anatomist John Hunter (1728–93) left a famous legacy in the Hunterian Museum of medical specimens now in the Royal College of Surgeons, and in this collection of his writings, edited by James Palmer, with a biography by Drewry Ottley, published between 1835 and 1837. The first four volumes are of text, and the larger Volume 5 contains plates. Hunter had begun his career as a demonstrator in the anatomy classes of his brother William, before qualifying as a surgeon. He regarded surgery as evidence of failure - the mutilation of a patient who could not be cured by other means - and his studies of anatomy and natural history were driven by his belief that it was necessary to understand the normal physiological processes before attempting to cure the abnormal ones. Volume 1 contains Ottley's biography, a list of Hunter's published works, and his lectures on surgery.

The Works of John Hunter, F.R.S.
  • With Notes
  • Volume 3
  • John Hunter
  • Edited by James F. Palmer
  • Published online:
    05 September 2015
    Print publication:
    26 March 2015
    First published in:
    1837
  • The surgeon and anatomist John Hunter (1728–93) left a famous legacy in the Hunterian Museum of medical specimens now in the Royal College of Surgeons, and in this collection of his writings, edited by James Palmer, with a biography by Drewry Ottley, published between 1835 and 1837. The first four volumes are of text, and the larger Volume 5 contains plates. Hunter had begun his career as a demonstrator in the anatomy classes of his brother William, before qualifying as a surgeon. He regarded surgery as evidence of failure - the mutilation of a patient who could not be cured by other means - and his studies of anatomy and natural history were driven by his belief that it was necessary to understand the normal physiological processes before attempting to cure the abnormal ones. Volume 3 discusses blood and the vascular system, wounds (especially those suffered in war), and infection.

The Works of John Hunter, F.R.S.
  • With Notes
  • Volume 4
  • John Hunter
  • Edited by James F. Palmer
  • Published online:
    05 September 2015
    Print publication:
    26 March 2015
    First published in:
    1837
  • The surgeon and anatomist John Hunter (1728–93) left a famous legacy in the Hunterian Museum of medical specimens now in the Royal College of Surgeons, and in this collection of his writings, edited by James Palmer, with a biography by Drewry Ottley, published between 1835 and 1837. The first four volumes are of text, and the larger Volume 5 contains plates. Hunter had begun his career as a demonstrator in the anatomy classes of his brother William, before qualifying as a surgeon. He regarded surgery as evidence of failure - the mutilation of a patient who could not be cured by other means - and his studies of anatomy and natural history were driven by his belief that it was necessary to understand the normal physiological processes before attempting to cure the abnormal ones. Volume 4 contains Hunter's works on animal physiology, with notes by the distinguished palaeontologist Richard Owen.

The Works of John Hunter, F.R.S.
  • With Notes
  • Volume 2
  • John Hunter
  • Edited by James F. Palmer
  • Published online:
    05 September 2015
    Print publication:
    26 March 2015
    First published in:
    1835
  • The surgeon and anatomist John Hunter (1728–93) left a famous legacy in the Hunterian Museum of medical specimens now in the Royal College of Surgeons, and in this collection of his writings, edited by James Palmer, with a biography by Drewry Ottley, published between 1835 and 1837. The first four volumes are of text, and the larger Volume 5 contains plates. Hunter had begun his career as a demonstrator in the anatomy classes of his brother William, before qualifying as a surgeon. He regarded surgery as evidence of failure - the mutilation of a patient who could not be cured by other means - and his studies of anatomy and natural history were driven by his belief that it was necessary to understand the normal physiological processes before attempting to cure the abnormal ones. Volume 2 discusses diseases of the jaw, teeth and gums, at a time when dental surgery was rudimentary.

The Works of John Hunter, F.R.S.
  • With Notes
  • Volume 5, Plates
  • John Hunter
  • Edited by James F. Palmer
  • Published online:
    05 June 2015
    Print publication:
    26 March 2015
    First published in:
    1837
  • The surgeon and anatomist John Hunter (1728–93) left a famous legacy in the Hunterian Museum of medical specimens now in the Royal College of Surgeons, and in this collection of his writings, edited by James Palmer, with a biography by Drewry Ottley, published between 1835 and 1837. The first four volumes are of text, and the larger Volume 5 contains plates. Hunter had begun his career as a demonstrator in the anatomy classes of his brother William, before qualifying as a surgeon. He regarded surgery as evidence of failure - the mutilation of a patient who could not be cured by other means - and his studies of anatomy and natural history were driven by his belief that it was necessary to understand the normal physiological processes before attempting to cure the abnormal ones. Volume 5 contains the plates which accompany the works in the other volumes, along with notes.

  • 15 - Vernacular literary consciousness c. 1100–c. 1500: French, German and English evidence

  • from V - VERNACULAR CRITICAL TRADITIONS: THE LATE MIDDLE AGES
  • Edited by Alastair Minnis, Ohio State University, Ian Johnson, University of St Andrews, Scotland
  • Book:
    The Cambridge History of Literary Criticism
    Published online:
    28 March 2008
    Print publication:
    19 May 2005, pp 422-471

  • Summary

    Whilst it is reasonably assumed that there extended from the Merovingian period a long tradition of oral poetry in France which embraced the lyric, hagiography, epic and drama, a tradition which drew on Indo-European traditions, more localised folklore, and historical events, it is certain that vernacular French literature (i.e. what has been set down in letters) owes its emergence entirely to the church. It is doubtful whether the romana lingua of the Strassburg Oaths (as sworn by Louis the German and Charles the Bald in June 842) can really be called French, but the short Sequence of Saint Eulalia (c. 881–2) from the area of Valenciennes is certainly French, as are parts of the Sermon on Jonah, also produced near Valenciennes, towards the middle of the tenth century. A Passion narrative and a Life of St Ledger copied c. 1000 have been preserved in the south-west of France, whilst in the following century we have fragments of Occitan and, from Normandy, two literary masterpieces, the Vie de Saint Alexis and the Chanson de Roland. With the exception of the last two we are dealing with works written in a supra-dialectal koiné or scripta, designed to find favour with supra-regional audiences who could not tackle whatever Latin originals were available. Secular French literature written in a relatively standardised language (ultimately identified with that of the Ile de France) is the product of the twelfth century. It was preceded in England by the curiously precocious literary productions that owed much to the patronage of Henry I and II.

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