We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
In nineteenth-century Scandinavia, philosophy was not merely an academic matter. Beyond a relatively small group of philosophy professors at the universities in Norway, Sweden and Denmark, philosophical ideas saturated culture more broadly, including the theatre. Thus, the philosophical context of Ibsen’s drama must be understood historically and contextually. Of particular importance – albeit often overlooked in the scholarly literature – is modern philosophy of drama as it develops in the works of Gotthold Ephraim Lessing, Johann Gottfried Herder and the Sturm und Drang movement. Later, we see an interest in romantic philosophy, the works of Germaine de Staël and the idealist position of G.W.F. Hegel. Towards the end of the century, the ideas of Søren Kierkegaard and Friedrich Nietzsche featured centrally in Ibsen’s intellectual circles.
Hermeneutics, the study of interpretation, is an essential and valuable branch of philosophy. Hermeneutics is also a central component of the methodology of the social sciences and the humanities, for example historiography, anthropology, art history, and literary criticism. In a sequence of accessible chapters, contributors across the human sciences explain the leading concepts and ideas of hermeneutics, the historical development of the field, the importance of hermeneutics in philosophy today, and the ways in which it can address contemporary concerns including intercultural relations, relations between subcultures within a single society, and relations across race and gender. Clearly structured and written in non-technical language, this Companion will be an important contribution to a growing field of study.
Through a detailed study of Herder's Enlightenment thought, especially his philosophy of literature, Kristin Gjesdal offers a new and sometimes provocative reading of the historical origins and contemporary challenges of modern hermeneutics. She shows that hermeneutic philosophy grew out of a historical, anthropological, and poetic discourse in the mid-eighteenth century and argues that, as such, it represents a rich, stimulating, and relevant engagement with the potentials and limits of human meaning and understanding. Gjesdal's study broadens our conception of hermeneutic philosophy - the issues it raises and the answers it offers - and underlines the importance of Herder's contribution to the development of this discipline. Her book will be highly valuable for students and scholars of eighteenth-century thought, especially those working in the fields of hermeneutics, aesthetics, and European philosophy.