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This is an Element book about stand-up comedy and public speech. It focuses on the controversies generated when the distinction between the two breaks down, when stand-upenters – or is pushed – into the public sphere and is interpreted according to the scripts that govern popular political and media rhetoric rather than the traditional generic conventions of comic performance. These controversies raise a larger set of questions about the comedian's public role. They draw attention to the intention of jokes and their effects in the world. And they force us to consider how the limits of comic performance – what can be said, by whom, and why – respond to, and can reshape, public discourse across changing media contexts.
This comprehensive and authoritative edition of the correspondence of Daniel Defoe situates each letter in its biographical, literary, and historical contexts. A unique source for a turbulent period of British history, Defoe's correspondence spans topics including the first age of party marked by Tory and Whig rivalry, religious tensions between the Church and Dissenters, the uncertainty of the monarchical succession, the birth of Great Britain and its establishment as a global empire, and the use of the press to mould public opinion. As well as an introduction discussing Defoe's epistolary habits and the distinctive features of his letters, headnotes and annotations explain each document's occasion, beginning in 1703 with Defoe hunted by the government for sedition, and ending in 1730 with him again in hiding, fleeing creditors months before his death. The volume is illustrated with examples of Defoe's letters, offering a fresh window onto Defoe's manuscript habits.
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