Is queerness coeval with American-ness, or with the American version of neoliberalism? The writers explored in this chapter, many of whom have close ties to countries other than the United States, are all preoccupied with these questions. Some, such as Tomasz Jedrowski and Garth Greenwell, implicitly accept queer identity as an American export. Others, including Chinelo Okparanta and Zeyn Joukhadar, fight to carve out small, temporary spaces of resistance to queerness’s entanglements with a certain brand of Western-ness. Others still, such as Shyam Selvadurai and Akwaeke Emezi, create interstitial queer identities that draw on non-Western understandings of selfhood and set them in conversation with mainstream Western queer culture. Focusing on the novel, this chapter engages with writers who identify as gay, lesbian, genderqueer, and trans/ogbanje, hailing from Nigeria, Sri Lanka, Taiwan, Germany/Poland, and Syria as well as the United States; while most of them are Anglophone, it also considers some examples of non-Anglophone representations of Western notions of queerness, such as Qiu Miaojin’s Notes of a Crocodile.