The tendency to dismiss history in favour of close reading by twentieth-century British critics has cast a long shadow over critical practice. Yet the tendency to revere a formalist, a-historical, even a-political critical method primarily for its own sake seems to be singularly strong in English studies. This somewhat self-isolating tendency has not, for example, appeared as a noteworthy part of critical practice in comparative literature. Of course, the two fields have built up over time a mutual suspicion of each other’s critical methods, though it wasn’t just about the necessity of multilingualism but also about the value of history.