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This chapter analyzes traditions of staging the plays from the beginning of the twentieth century, spanning a period from the Boer Wars until the postcolonial wars of the present. It considers not only ways of depicting fighting and battles, but also perspectives on the morality of war created by Shakespeare and his directors. During this period, post-Victorian pictorial realism and historical “accuracy” survived in cinema, but in the theater they gave way to non-illusionistic and unlocalized sets as companies turned their attention from “history” to politics. This did not mean that spectacle diminished: shocking savagery and violence could be graphically represented, but pageants of royal and aristocratic grandeur along with appeals to patriotism sustained by providence were set against vignettes of common life – no longer “comic relief” but ironic touchstones that detected processes of chauvinism, huffing rhetoric, and heroic posturing as families, factions, and nations tore themselves apart.
Michael Hattaway's Introduction to this bestselling edition of As You Like It accounts for what makes this popular play both innocent and dangerous. This third edition includes a new section on recent critical interpretations, including sections on ecocriticism, peace studies, and myths of gender, on recent as well as past stage productions and films of the play, as well as fresh illustrations. An appendix on an early court performance in 1599, commentary on the play's language, the book trade, and the discursive cultures of its time, as well as an updated reading list are also included.