We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
The purpose of this bi-lingual catalogue, written in French and English, is to facilitate research, performance, and general appreciation of Massenet's music. The Massenet General Catalogue is a complete inventory of the known works of the composer. For each work, it provides the vocal and/or instrumental requirements (including the tessituras of the operatic roles), the author(s) of associated texts, the location of manuscripts, and other pertinent details. The authors, established specialists in nineteenth-century French music, have created an inventory of works according to specific genres, including opera, sacred music, cantatas and scenes, choruses, incidental music, symphonic music, piano music, and songs. For the songs, numbering some 300 titles, the authors list information for each song as well as the components of cycles and collections. The Catalogue includes explanatory paragraphs and annotations, a select bibliography, and a biographical chronology. There are also appendices with explanations of versions of certain works, the operas Thaïs (the original version and a major revision), Manon (the original opera-comique version and the entirely sung version), and the ballet L'Histoire de Manon, a retelling of the Manon story using music from Massenet's other works, selected and orchestraed by Leighton Lucas. Finally, the catalogue's authors have created a system of DO numbers (Dibbern-Oléon) which serve to define the scope of Massenet's music. These cataloguing numbers are meant to be used as the definitive reference numbers for Massenet's oeuvre.
