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Thomas Southey (1777–1838) joined the navy at the age of twelve, saw action during the French Revolutionary Wars, and was first posted to the West Indies in early 1804. Promoted to captain in 1811 and later employed as a customs officer, he died on the voyage home from his last posting in Demerara. His only book, published in 1827, is dedicated to his older brother, Robert, a Romantic poet, who also wrote on historical subjects (his books on Nelson, the Duke of Wellington, and Brazil are also available in the Cambridge Library Collection). Thomas's three-volume work draws on extensive reading, with substantial passages quoted verbatim from his sources. He concludes that the history of the West Indies presents 'little more than a melancholy series of calamities and crimes', but commends the British government's efforts to put an end to slavery. Volume 3 covers the period from 1784 to 1816.
Thomas Southey (1777–1838) joined the navy at the age of twelve, saw action during the French Revolutionary Wars, and was first posted to the West Indies in early 1804. Promoted to captain in 1811 and later employed as a customs officer, he died on the voyage home from his last posting in Demerara. His only book, published in 1827, is dedicated to his older brother, Robert, a Romantic poet, who also wrote on historical subjects (his books on Nelson, the Duke of Wellington, and Brazil are also available in the Cambridge Library Collection). Thomas' three-volume work draws on extensive reading, with substantial passages quoted verbatim from his sources. He concludes that the history of the West Indies presents 'little more than a melancholy series of calamities and crimes', but commends the British government's efforts to put an end to slavery. Volume 1 covers the period from 1492 to 1654.
Thomas Southey (1777–1838) joined the navy at the age of twelve, saw action during the French Revolutionary Wars, and was first posted to the West Indies in early 1804. Promoted to captain in 1811 and later employed as a customs officer, he died on the voyage home from his last posting in Demerara. His only book, published in 1827, is dedicated to his older brother, Robert, a Romantic poet, who also wrote on historical subjects (his books on Nelson, the Duke of Wellington, and Brazil are also available in the Cambridge Library Collection). Thomas's three-volume work draws on extensive reading, with substantial passages quoted verbatim from his sources. He concludes that the history of the West Indies presents 'little more than a melancholy series of calamities and crimes', but commends the British government's efforts to put an end to slavery. Volume 2 covers the period from 1655 to 1783.
Thomas Chatterton (1752–70) was only seventeen when he died of arsenic poisoning. Among his family and friends he was known as a versifier with a fascination for medieval manuscripts, but none suspected the true scope of his work. At eleven, he was already writing poetry, and by the end of his life his love poems, eclogues and forged medieval pieces numbered in the hundreds. They were to influence the Romantics for decades after his death. This three-volume collection of his work, edited by Joseph Cottle and Robert Southey, first appeared in 1803. Volume 2 contains the Rowley poems, for which Chatterton is best known. Ironically, they were never published under his own name in his lifetime: he claimed that the poems were transcripts he had taken from the work of Thomas Rowley, a fifteenth-century monk. The value of these ambitious forgeries is still underappreciated.
Thomas Chatterton (1752–70) was only seventeen when he died of arsenic poisoning. Among his family and friends he was known as a versifier with a fascination for medieval manuscripts, but none suspected the true scope of his work. At eleven, he was already writing poetry, and by the end of his life his love poems, eclogues and forged medieval pieces numbered in the hundreds. Chatterton is best known for the Rowley poems, which he claimed were transcribed from the work of a fifteenth-century monk. Although the precocious skill of his forgeries, once exposed, often went unrecognised by critics, Chatterton's legacy influenced the Romantics for decades after his death. This three-volume collection of his work, edited by Joseph Cottle and Robert Southey, first appeared in 1803. Volume 3 includes Chatterton's prose works, selected letters, some contemporary discussion of his work, and Cottle's account of the Rowley manuscripts.
Thomas Chatterton (1752–70) was only seventeen when he died of arsenic poisoning. Among his family and friends he was known as a versifier with a fascination for medieval manuscripts, but none suspected the true scope of his work. At eleven, he was already writing poetry, and by the end of his life his love poems, eclogues and forged medieval pieces numbered in the hundreds. Chatterton is best known for the Rowley poems, which he claimed were transcribed from the work of a fifteenth-century monk. Although the precocious skill of his forgeries, once exposed, often went unrecognised by critics, Chatterton's legacy influenced the Romantics for decades after his death. This three-volume collection of his work, edited by Joseph Cottle and Robert Southey, first appeared in 1803. Volume 1 includes his earliest poetry, and a biography by George Gregory (also reissued separately in this series).