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Page 1 of 4

  • Introduction:

  • Edited by Tracy C. Davis, Northwestern University, Illinois, Paul Rae, University of Melbourne
  • Book:
    The Cambridge Guide to Mixed Methods Research for Theatre and Performance Studies
    Published online:
    01 February 2024
    Print publication:
    08 February 2024, pp 1-36

  • Summary

    Tracy C. Davis outlines facets of tradecraft in theatre and performance studies (TaPS). Performances based on dramatic texts or social interactions can take into account distinctions between an aesthetic focus, case studies of performance history, and extrinsic cultural factors; each kind of research prioritizes particular kinds of information and has predominant methodologies for analysis. Additionally, Davis explicates the incompleteness and unrecoverability of performances in relation to different methodologies, and the salience of theory to different methodological traditions. Ultimately, combinations are likely in order to address the complexity of TaPS research.

The Cambridge Guide to Mixed Methods Research for Theatre and Performance Studies
  • Edited by Tracy C. Davis, Paul Rae
  • Published online:
    01 February 2024
    Print publication:
    08 February 2024
  • We often know performance when we see it – but how should we investigate it? And how should we interpret what we find out? This book demonstrates why and how mixed methods research is necessary for investigating and explaining performance and advancing new critical agendas in cultural study. The wide range of aesthetic forms, cultural meanings, and social functions found in theatre and performance globally invites a corresponding variety of research approaches. The essays in this volume model reflective consideration of the means, processes, and choices for conducting performance research that is historical, ethnographic, aesthetic, or computational. An international set of contributors address what is meant by planning or designing a research project, doing research (locating and collecting primary sources or resources), and the ensuing work of interpreting and communicating insights. Providing illuminating and necessary guidance, this volume is an essential resource for scholars and students of theatre, performance, and dance.

  • Introduction - History as Performance History

  • Tracy C. Davis, Northwestern University, Illinois
  • Book:
    Liberal Lives and Activist Repertoires
    Published online:
    19 May 2023
    Print publication:
    01 June 2023, pp 1-10
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  • Summary

    The Thompson-Chesson family represent how, across three generations, nineteenth-century reformers cultivated habits of performance critique to improve the efficacy of their political work. Across various domains, and utilising many organising techniques and expressions, liberal activism was forged in this milieu. By investigating how men and women built networks and forged more effective practices, liberal convictions take form as activist practices.

Page 1 of 4