How does one let the infinite expanses of the heavens into the puny orb of a human eye? Anna Letitia Barbauld’s ‘A Summer Evening’s Meditation’ envisions a form of filiation between sentient flesh and celestial light, a form of intimate and mutual recognition between the body and the spheres. This chapter confronts Barbauld’s poetic meditation to later poems by William Wordsworth, and Percy Shelley which also endeavoured to force the infinite into the circle of the eye. As physiological optics laid bare the anatomical workings of sensation, the cultural representation of sight implied the irruption of darkness within light inside the obscure integuments of the eye. The central darkness at the heart of the human eye allows one to experience, through the configuration of one’s own flesh, the bottomless depths of the universe, while astronomy initiates a revolution in the perception of temporality.

Popular support for war is widely understood to solidify Britain’s sense of itself in the eighteenth century. This chapter argues that objections to war shape Britain’s identity in the closing decades of the century, as the people are called upon to evaluate the justness of the nation’s acts in war. These acts are understood to be public acts, authored by each and every individual, including those who do not directly wage war. The attention to public responsibility coincides with renewed scrutiny of war’s harms, and the moral urgency of recognising and halting war’s killing animates philosophical essays, sermons, and poems, including works by Jeremy Bentham and Anna Letitia Barbauld. The period’s anti-war arguments foreground concepts of injury and responsibility that anticipate later developments in international law and ongoing discussions in moral philosophy.

Romanticism and Protestant Dissent are deeply intertwined; this essay reflects on the long history of their cross-connections. In recent decades there has been an upsurge of interest in the inspirational power of Dissenting allegiances to Romantic-era writers, and the rich literary culture of specific religious groups. Individual writers nurtured and encouraged by Dissent are being restored to prominence, and we are beginning to recover the importance of nonconformist discourse in shaping the literature and culture of the long eighteenth-century – such as the influence of Methodist life-writing and different forms of devotional practice. The essay outlines the diversity of nonconformist practice in the period, and argues for the diffuse and far-reaching impact of Protestant Dissent, through the familial and friendship circles of nonconformity, its educational institutions and publishing networks, and its influence on social and political debate. More broadly, it seeks to trace Dissenting affiliations and inspirations in the work of Romantic-era writers, exploring the case study of Anna Letitia Barbauld in detail.

This chapter explores politics in the British Romantic period through a close examination of the highly politicized religion of Dissent in the 1790s, tracing in particular its arguments in political tracts and sermons against slavery, the war with France, and the growing inequality between rich and poor. The centrality of religion to an understanding of revolution, rights of man discourse, public worship, and civil liberty is found in the writings of Richard Price, Anna Letitia Barbauld, and Samuel Taylor Coleridge, with reference to Joseph Priestley, Joshua Toulmin, John Edwards, and John Prior Estlin. There is discussion of the chain of influence descending from Price to Barbauld to the young Coleridge, and a conclusion that looks at some of the continuities in Coleridge’s thinking between his earlier radicalism and his later prose works.