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An account of the making of the Wooster Group’s Rumstick Road, an autobiographical inquiry into the circumstances and legacy of the suicide of Spalding Gray’s mother. (The production, in rehearsal in the fall and winter of 1976, held an open rehearsal in December before opening the following spring.) The chapter considers the Wooster Group’s approach to acting (distinct from the style of its predecessor, the Performance Group), the visual art sources for the production’s imagery and structure, the use of recording technology, the role of the spectator, and the nature of privacy.
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