This chapter provides an examination of the documentary evidence for Charles Ignatius Sancho’s life and career as a servant in the household of the Dukes of Montagu. It is based on archive sources, with particular focus on the archive of the Duke of Buccleuch and the papers of his ancestors, John 2nd Duke of Montagu (1690–1749) and George Duke of Montagu (1712–1790).

Chapter 7 re-examines the ‘book-farming’ controversy of the late eighteenth century. It first highlights the precarious power of book-knowledge, which offered mastery to an educated landowning class, but was a poor substitute for experience. The analysis distinguishes between a weak and a strong critique of agricultural books. The weak critique expressed by authors themselves condemned an overly theoretical approach or the overly speculative ideas in books. The strong critique was expressed in the reported hostility of working farmers, which was fundamentally suspicious of the value of learning about farming from books and challenged the proclaimed authority of writers. It argues that the strong opposition to book-farming can only be understood by considering the balance of power within agricultural labour relations. Hostility to book-farming was a form of ‘everyday resistance’ to the subordination of customary knowledge and the use of books as tools of management in the running of estates and large farms.

Often associated with urban institutions as coffeehouses and learned societies, the Enlightenment included fascination with outsiders – wild men, feral children, shipwrecked solitaries and local savages, or rustics. The long eighteenth-century theatre showcases this interest in “local savagery” in particular through a huge expansion in the number of plays set in spas, villages and country estates. These plays expand the collective vision of the nation, often celebrating the countryside as the green heart of England, the site of immemorial rights and model of social harmony. Just as frequently however, this pastoral image is threatened or subverted by Irish or labouring-class writers such as Robert Dodsley and Oliver Goldsmith, who highlight the local injustice and imperial violence that holds the rural (and national) hierarchy in place. This chapter maps rural dramaturgy from the Restoration forward to reveal these conflicting representational strategies, as Whigs and Tories fought to claim the nation’s heartland as the symbolic ground of political legitimacy and were followed by increasingly radical outliers whose view of rural society was considerably more critical.