Focusing on William Wordsworth’s The Excursion (1814) and related essays and tourist writing of the 1810s, this chapter explains how he adapted traditional views of Anglican churchyards as sacred commons where local community was composted and cultivated over time, even as dislocation and erasure of rural communities, urbanization, and religious diversification undermined ties between churchyards and local belonging. The chapter interrogates how Wordsworth re-membered the geography, residents, and species of the Lake District within and around an idealized Anglican churchyard that was based on the one near to him in Grasmere yet loosened from denominational boundaries. He did so to reclaim local interspecies and semi-egalitarian lifeways among small landowners and their environments perceived to be threatened by extractive, colonizing capitalism. He nonetheless nostalgically distorted and risked denying agency to those re-membered, and uneasily suggested that agents and beneficiaries of capitalist empire might become conservators of traces of formal local lifeways.

Centring on a reading of ‘The Recluse’, this chapter opens with a consideration of the representation of peace in ‘Home at Grasmere’ (1800–1806), a poem later known as ‘Part First, Book First’ of ‘The Recluse’. Through close readings of the 1808 ‘Recluse’ fragments that Wordsworth went on to adapt for The Excursion, the chapter investigates how remnants of the poet’s early interest in radical, pacificist thought speak against the poem’s declared allegiance with the values of Britain’s political and religious establishment. Noting how the poem’s composition is bisected by the composition of the pamphlet on the Convention of Cintra (1810) and the letter to the military theorist Sir Charles Pasley (1811), writings that explore the links between armed struggle, national independence, and the primacy of the Imagination, the chapter goes on to consider how The Excursion, through the character of the Solitary, grants expression to the revolutionary hope for perpetual peace, world citizenship, and delight in Fancy’s ‘mutable array’.