Chapter 2 reviews Plath’s metaphorical employment of the witch-martyr figure within the political and religious framework of the Cold War. The chapter outlines Plath’s subversion of the religious vocabulary and themes in her poems, like ‘Lady Lazarus’, particularly its draft, and her parallelling doctors and priests in short stories, such as ‘Johnny Panic and the Bible of Dreams’ to critique the rhetoric of the Cold War. The chapter gives evidence that Plath employs the female body as a site of modern political and medical institutional violence, seeking inspiration from the power imbalance of the early modern witch trials and Joan of Arc’s martyrdom. The close examination of Plath’s drafts of ‘Fever 103°’ and ‘Lady Lazarus’ concludes the chapter on Plath’s Cold War poetics. It argues that the anticlerical and anti-authoritarian language of her poetry reimagines witch prosecutions, martyrdom, and inquisition in periods of political torture and nuclear warfare.

Chapter 4 discusses the literary, cultural, and political influence of Marlowe’s Doctor Faustus and the Faust legend in the works of Plath and her contemporaries. The chapter examines Plath’s textual engagement with Faustian plays and the way in which she seeks inspiration from the themes of the texts from her juvenilia until her late poetry. The historical, religious, psychoanalytical, and political interpretations of demons, demonic possession, and diabolism were present in post-war discourses, borrowing the vocabulary from the well-known play about a black magician and Mephistopheles. The chapter revises over-simplified narratives around Plath’s use of vocabulary associated with diabolism to show her knowledge of the subject that influenced her and demonstrates that American poets, such as Anne Sexton, Karl Shapiro, and John Berryman also employed Faustian themes in their poetry. It concludes that the Faust legend had significant role in post-war literature and culture, re-interpreting the meaning of diabolism and sin within the mid-century political landscape.

This chapter aims to locate an emergent eco-consciousness in the poetry of Robert Lowell. It argues that in Life Studies and beyond, Lowell’s poetry explores the political production of uncertainty, and considers how anxiety was employed as a political tool used to enforce vigilance and compliance. In poems addressing the prospect of nuclear war, Lowell positions this production of anxiety as a biopolitical process aimed at both managing resistance to nuclear politics and normalizing the fallout – both literal and figurative – from US political, military, and industrial interests in atomic technologies. From an ecocritical perspective, Lowell’s poems demonstrate how, in the nuclear age, the Cold War state renders the natural environment an object of government control. Both the real and the psychological fallout of the atomic age are a prescient ecological threat predicated upon a cruel optimism that conditions Cold War subjects to be complicit in their own ecological ruin.

Examining the trajectories of paranoia and apocalypse in the matrix of Cold War dichotomies throughout DeLillo’s opus, this chapter examines DeLillo's emphasis on class and professions in relation to his Cold War fiction.

This chapter explores the role of environmental change and the emergence of ecocritical critique in Asian American literatures from 1930 to 1965. From the development of industrialized agriculture to the deployment of military technologies like the atomic bomb and Agent Orange, the environmental changes wrought by technological advances in war, commerce, and communication during this period played a key role in driving and directing migrations within and across the Pacific both in this era and in the decades to come. By considering the roles that terraqueous environments and ecologies have played in shaping critical debates over nation, empire, and race, this chapter posits that an ecocritical approach to Asian American studies can demonstrate how mid-twentieth-century attitudes toward the regulation and legislation of US land and sea territories reflects or refracts implicit beliefs about the state of nature, the natural boundary of the state, and who (or what) might belong within it.