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Chapter 6 focuses on the careers of four artists of African descent in the Rio de la Plata: Fermín Gayoso, Rosendo Mendizábal, Juan Blanco de Aguirre, and Bernardino Posadas. They work in different historical contexts, from the colonial era to the end of the nineteenth century. The first was enslaved and was active in the early nineteenth century. Therefore, his trajectory differs from the rest. Mendizábal, on the other hand, was not only a painter but also a politician, maintaining ties to the Buenos Aires elite of the 1850s and 1860s. The historical and social context was quite different for Juan Blanco de Aguirre and Bernardino Posadas. These artists were active in the last quarter of the century, when the project of a racially and culturally homogeneous nation implemented by the dominant groups was in full swing. The analysis undertaken in this chapter provides a glimpse of the situation of Afro-Porteño intellectuals and especially of the few artists of whom we have information, as well as the tensions generated by the educational and promotion projects in which they were involved.