This chapter examines the evolution of monumental civic architecture in Late Antiquity, exploring how urban spaces and public buildings adapted to shifting political, social and economic conditions. Challenging the traditional ‘decline and fall’ narrative, it argues instead for a process of gradual transformation. While some cities in the Western Empire experienced a decline in public building activity, urban centres in the east continued to flourish, with new constructions and adaptations extending well into the Islamic period. In these cities, public buildings such as basilicas, baths and colonnaded streets were frequently repurposed rather than abandoned. Christianity played a crucial role in this shift, as bishops assumed civic responsibilities and redirected resources towards maintaining and adapting urban infrastructure. As a result, late antique cities remained vibrant, with economic and social life persisting despite structural changes. The chapter also highlights the significance of imperial patronage and contributions from the local elite in sustaining urban architecture. By reassessing civic architecture through archaeological and textual evidence, the study presents a more nuanced perspective – one that emphasises urban resilience and transformation rather than outright decline.

The primary subject of this chapter is the extensive ensemble of Second Style paintings found at two major ’Vesuvian’ villas: that of Fannius Synistor at Boscoreale and the Villa of Oplontis in Torre Annunziata. Together with our team of researchers, we were intensely involved in several international projects both in meticulously examining and analysing the organisation and decor of these villas, as well as creating highly detailed virtual reality 3D models of them. The chapter draws extensively upon the results of such research and work. We discuss further the striking relationship between the atrium paintings at Oplontis and the structural pattern of the scaenae frons, including that at the Large Theatre of Pompeii itself.