The Indigenous pottery of Nagaland is handmade, a tradition passed down through generations. It remains a key part of social and religious life, serving as a means of expression. Modern indigenous pottery practices involve taboos and beliefs from the clay extraction to the firing of the pots. This paper examines the ethnographic aspects of pottery making, the tradition, and the operational chain. It reviews the beliefs, taboos, and rituals observed during clay mining and firing to evaluate their connection to pottery production from a socio-cultural and socio-religious perspective.
