To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure no-reply@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
A poet celebrated for his syncretism, Shelley’s sense of fluidity arguably extends to his understanding of sex and sexuality, as he wrote during a time of peak flexibility and transition in thinking about gender-sex. Reading Erasmus Darwin’s descriptions of variously sexed plants, Ovid’s tales of shapeshifting, and William Lawrence’s intertwinement of sexed and racialised bodies, Shelley, the great poet of relation, comes to see the body as materially shifting, porous, and relational. Reading passages from A Discourse on the Manners of the Ancient Greeks Relative to the Subject of Love alongside the figure of nonbinary, intersex creation in ‘The Witch of Atlas’, Asia’s transformation into the posthuman ‘lamp of light’, and the nonhuman ‘shape all light’ in ‘The Triumph of Life’, this essay suggests Shelley began to understand polymorphous sexuality connected to sexed bodies of shapeshifting, mutable morphology.
Recommend this
Email your librarian or administrator to recommend adding this to your organisation's collection.