Gay American autobiographical writing since the year 2000 became “post-gay,” where “gay” denotes a distinctive, unitary gay male cultural tradition. Post-gay means gay plus: the “post” signifies the movement toward an intersectional model of identity, where other dimensions of culture are integrated with sexuality, and sexual cultures – such as elite gay culture – are transformed by their intersection with black, brown, yellow, and other colors of the rainbow. The 1990s saw the explosive visibility of what was then called the “lesbigay” community in all areas of American public life. That tide ebbed during the second Bush administration, in the backlash against LGBT rights. But the cultural work progressed apace, becoming socially diversified. The first two decades of the twenty-first century have seen the proliferation of gay US voices. Not simply de-pathologized, and not simply decriminalized, self-consciously gay autobiographical writing has multiplied into as many niche segments as the overall population. These include hyphenated queer Chicano authors, memoirs about drug addiction, and pre-Obergefell gay marriage chronicles, among other intersectional narratives.